Hilltown Books

The Sacred Dog is Free Nov. 2-3

Right now, I feel like I’m the mother of several children who all need my attention. Certainly, as the mother of six, I’ve had good practice, but I’m talking about the books I have written. I  decided needs some love from readers. So I am making it free for Kindle readers on Nov. 2-3. Here’s the link.

The Sacred Dog, set in 1984, is not part of my Isabel Long Mystery Series. But I am hoping fans of that series will want to read this one. Afterall, the setting is very familiar — the hilltowns of Western Massachusetts. And once again, I try to capture its flavor through the characters I’ve created. I call it one of my Hilltown Books.

I feel I know the area so well from my many years living here and certainly when I was a reporter and then an editor. Of course, that includes stories about personal conflicts and feuds between people who live there, but none so dark as between my book’s two main characters, Frank Hooker and Al Kitchen. 

Frank is an all-around good guy who runs the town of Holden’s only bar, The Sacred Dog. But he has a fault. He hates Al because he blames him for the death of his reckless brother Wes. And Al hates him for the way he’s been treated. Al grew up in one of those rough households with an abusive grandfather and a loyal although faulty grandmother.

If that weren’t enough, there is Verona Hooker, Frank’s ex, who will be returning to town with their daughter — and a secret. 

All is about to come to a reckoning.

The Sacred Dog is fast-paced and as those who have read it already have said, suspenseful. Here I will give you a look on how it starts.

Frank Hooker, tall, broad, and as handsome as an aging cowboy actor, lit a cigarette from the pack he kept beside the bar’s double sink. The rain fell hard, and it had started lightning. The storm, he was certain, would finish off tonight’s softball game at the Rod and Gun Club between the team he backed and Glenburn Sanitation, sponsored by a guy in the next town who pumped out septic systems.

Right now, Frank figured the men were sitting in their pickup trucks and cars, drinking beer, and waiting to see if the weather broke until the ump made the official call. Then, rather than go home to their families and ruin a good night out, they’d head to The Sacred Dog, or The Dog, as the regulars called his bar. Taking a drag of his cigarette, Frank anticipated their early arrival. He made a quick check inside the cooler, satisfied to see it filled with cold bottles of beer.

A pickup truck pulled into the parking lot, its tires grinding into the crushed stone Frank had put in this past spring, and Early Stevens, the only customer in the bar, twisted his head toward the door to see who would be the second. Early, his given name Ernest, had been sitting on his stool since 4:45 that afternoon after he was done hauling the day’s outgoing mail from the Holden Post Office to the one in Butterfield. He drank his usual: a Budweiser with a peppermint schnapps chaser. His topic of discussion today was a story he read in a magazine he found at the toilet in the Holden General Store that claimed the world was going to go to hell in 2000. 

“The way it looks, we’ve got about sixteen years to get ready,” Early said. “What do you think, Frank?”

“I think you should find better readin’ material,” Frank answered.

Minutes later, when Al Kitchen came through the bar’s front door, Early muttered under his breath, “Shit, here comes trouble.”

The muscles around Frank’s mouth tightened as Al lumbered across the room to take a stool one over from Early. Al was all-smiles because he thought maybe he was on decent terms with Frank these days. But Frank stared at him blankly as he stubbed out his smoke. “What’ll it be?” he asked as if this wasn’t Al but someone else in front of him.

“Give me a Bud,” Al said, as he retrieved his wallet.

No tabs for Al. That was one of Frank’s rules. Another was a two-beer limit. Frank came up with the second after Al’s grandma, who raised him, begged to let him have some place to go closer to home, and considering The Sacred Dog was the only bar in town, this was it. For years, Al didn’t have the nerve to show his face in his bar. 

“Two beers. He won’t be stayin’ long at your place if that’s all he gets,” Jenny Kitchen had said. “Besides, what’s the harm in two beers?”

Frank wanted to tell this old lady, who smelled like kerosene, what harm her grandson had already done. Jenny only came up to his chest, but she made her eyes small and defiant when she faced him. He told her if there was a lick of trouble, Al was out for good, and he’d call her and the cops.

Besides, Frank reasoned it was better to keep someone he disliked at close range. Actually, disliked was too soft a word to describe his feelings for the man, considering what happened to his younger brother, Wes. 

The Sacred Dog is free for Kindle Readers only two days: Nov. 2 and 3.

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Author Interview

Interview with Author Helen Matthews

I have read all of Helen Matthews’ novels, which have found a new home at Bloodhound Books. Here I use the 6 Ws format — who, what when etc. — to let her tell you about Girl Out of Sight, which was re-released July 29 by Bloodhound Books, and how she writes.

Who is author Helen Matthews?

Thanks for inviting me, Joan. I’m a British author, originally from Wales but I now live with my husband in a village in Hampshire, about an hour away from London. My son is a journalist and my daughter’s a police officer – handy when I need some detection and crime scene details checked. 

My novels sit within the crime genre but are page-turning psychological suspense and domestic thrillers rather than police procedurals. Although people die or face life-threatening danger in my books, investigating a crime isn’t the main plot driver. The books are more whydunnit than whodunnit. I’m fascinated by the darker side of human nature, flawed characters, unreliable narrators and how a life can change in an instant.

What is your latest book?

My latest book Girl Out of Sight was re-released July 29 by Bloodhound Books. It’s a suspense thriller with a theme of human trafficking and tells the story of seventeen-year-old Odeta, who leaves her remote village in Albania with a man she believes is her boyfriend. She thinks she’s going to begin an exciting new life and career in London, never imagining that her dream is about to descend into a nightmare. Odeta’s life isn’t especially grim but it’s colourless and lacks opportunity. Since leaving school, she’s been working in her father’s shop and thinks nothing interesting will ever happen to her again.

Girl Out of Sight is a human-scale story not a vast-canvas thriller about international organised crime. I wanted readers to relate to Odeta, who could be you or me or one of our daughters, and walk in her footsteps, sharing her hopes and dreams as she travels to England and discovers what awaits her behind the doors of an ordinary London street.

Odeta is the central character but there’s a second storyline about Kate, a London journalist, whose  seemingly perfect life is filled with anxiety for her son, Ben. He’s obsessed with online gaming but struggles to make friends. Kate comes from a village in Wales and wants her son to experience the simpler childhood she enjoyed. In desperation, she disconnects her family from the internet and tries to build a community on her London street so her son can make friends in real life. It doesn’t go well for her marriage. And danger lurks behind closed doors. Perhaps Kate’s neighbours are not the friendly community they seem …

This book was first published in 2017 by another press, under the title After Leaving the Village, and won first prize in the opening pages of a novel category at Winchester Festival. Time moves on but the struggle to raise awareness of the hideous crimes of human trafficking and modern slavery continues. I’m delighted Bloodhound Books is publishing this new edition to bring the book to more readers.  

When did you begin writing?

I might seem like a late starter but I think of myself as someone who has served a long apprenticeship to get my novels published. From early childhood, throughout my teenage years and into adulthood I was always writing. I won a few competitions and had pieces published in teen magazines. A first degree in English was a setback due to years spent reading great literature which made me wonder how I could have the arrogance to write. The urge to write didn’t go away. After long days in a busy corporate career, I wrote late at night after my children were in bed, a glass of wine by my side. My job conditioned me to write in business-speak and legalese, empty of emotion. I found it harder to write fiction but I didn’t give up. I switched to writing non-fiction and had some success with articles accepted by family and lifestyle magazines, a couple in national newspapers and even recorded some columns for BBC Radio.

Finally, when my children were almost grown up I quit my day job with no redundancy package, too young for my pension and went to Oxford Brookes University to do an MA in Creative Writing. I was lucky to get freelance consultancy work which kept me going for several years while developing my writing career. Eventually I switched into copywriting which sat well alongside novel writing.

How do you write?

Probably due to my corporate background, I’m instinctively a planner. I’d say I’m 70 per cent planner: 20 per cent free flowing ‘pantser’ and the remainder is just generally confused. I don’t always stick to my plans. Once my characters take on a life of their own, the book can go in an unexpected direction.

I keep a notebook with me and jot down ideas as they occur. Sometimes, if I’m out walking my dog I’ll record thoughts on my phone. When I have an idea for a new novel I do some pages of mind mapping, assemble my notes and start initial research. Then I’ll do character sketches and a rough plan before starting to write to see if the idea has legs and will sustain 90,000 words. Not all stories can. I don’t use any tools like Scrivener just Word on my laptop and lots of notebooks and post-it notes. 

Where do you write?

I’ve tried writing in cafes and on the move but I’m distracted by noise and other people’s conversations so I write better at home where I can close the door. I tend to move around rooms so I might write in the kitchen or dining room for a while or move upstairs to my daughter’s old bedroom. Oddly, I never write in the study perhaps because it has an in-tray full of admin and bills needing to be paid shouting for my attention. In summer, I  write outside in the garden if I can keep the glare of sunlight off my screen.

My ideal working environment is when I’m alone in my house so I can go deep into the world of my characters and live with them while figuring out their lives, plot and conflict. Having an empty house is rare  unless my husband goes to France without me for a week or two. The minute the door closes behind him I whizz around and tidy up so I’m not distracted by dirty dishes or piles of ironing. Then it’s head down and on with the writing all day and late into the night.

Why do you write?

No one holds a gun to our heads and forces us to write but, for me, writing is a habit that’s impossible to kick. It’s even harder than ignoring that bottle of wine in my fridge that will be empty before bedtime. On a bad day, the urge to write feels like a disease: a virus that inhabits my body and steals my soul.  When pitching to publishers is going badly, feelings of rejection can be crippling. It’s tempting to despair, press delete or stick an unfinished novel in a drawer. But do we give up? Of course not.

I guess what I’m trying to say is that writing can be both a painful addiction and a source of joy. The writing life might not be lucrative but it’s a total privilege. As well as the creative aspects, I’ve met some amazing author friends on my MA course, in local groups and in the online world – a whole new network of support through the tough times.

More about Helen: parting words; links to your books; social media

My back catalogue is in slight disarray at the moment as three of my novels have left their previous publisher, Darkstroke and are moving to Bloodhound Books. Girl Out of Sight is back on sale this week but the other books won’t be on sale for a few months. Façade, to be republished in December, is domestic suspense about a family whose lives seem perfect on the outside but everything is rotten at the core. The Girl in the Van will be republished in January 2025. It won the crime and suspense genre prize in the 2022 international Pageturner Book Awards. It has a theme of modern slavery around young people being groomed by gangs to deliver drugs out of cities into small towns and rural areas. In the UK, this is called ‘county lines’ exploitation, named after the mobile phone lines gangs use to control their young victims.

My novel Lies Behind the Ruin and short story and travel writing collection Brief Encounters will continue to be available from Amazon. 

As well as novels, I occasionally write short stories and flash fiction and these have been shortlisted and published by Flash 500, 1000K Story, Reflex Press, Artificium and Love Sunday magazine.

Homer, my rescue dog – originally a street dog from Romania – keeps me fit as he needs to walk at least three miles every day. I also swim, cycle long distances with my girlfriends, sing in a choir and once appeared on stage at Carnegie Hall, New York in a multi-choir performance. In the year 2000 my husband and I impulse bought a tumbledown cowshed in France to renovate into a holiday home. It took years! We’re still tinkering with it now and love spending time there each year.

When I was researching the original version of Girl Out of Sight I became a supporter of the charity Unseen UK which supports trafficking survivors and works towards a world without slavery. The charity has since appointed me an Ambassador and I donate a percentage of royalties and fees from talks, in which I explain modern slavery as well as talking about my books.

You can download Girl Out of Sight at: https://geni.us/GirlOutofSight. Check out my other novels by clicking through to my Amazon page. 

Find out more at: https://www.helenmatthewswriter.com

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Character Traits

Character Traits: Meet Lily West of Bleak Waters

In this next installment of the Character Traits series, Lily West, a creation of author Gary Kruse, is featured. Gary describes himself as a writer of thriller and horror fiction about people on the edge of society struggling to discover themselves. That includes Lily West. Now, I will let Gary take over on this post.

Lily West is the main character in my new supernatural mystery, Bleak Waters. She’s in her early 20’s and when we meet her in the book, she’s standing on the water’s edge of Hickling Broad in the middle of winter, struggling to process the suicide of her father the previous summer. 

As a child, Lily used to get severe migraines which bought on ghostly visions, but these faded after a vicious intervention from her mother, Hetty. 

She lives and works in the Whippet, a fictional pub in Hickling village, and the villagers are like an extended family to her, and some of them stepped in to help after her father’s death. It’s a close-knit, rural community.

But like all villages, it has its secrets, and one secret in particular will shatter everything Lily believes. 

How did you come up with the character and his/her name?

Lily was one of the first characters I came up with for the book. I was on holiday in Hickling with my sons in spring 2019, and as with Badlands, the more time I spent in the area, the more my writer’s brain started whirring and I started getting ideas for a new story. 

In the first serious brain-storming session, I decided that the MC would be a barmaid in the village pub as she would be able to naturally interact with all the characters and also face conflict with them when she started asking questions about the central mystery. 

Initially, I struggled to come up with her name. I brainstormed a list of about thirty names, and as I was making notes and developing the character, Lily was the name that stuck.

Tell us more about Bleak Waters.

It’s part ghost-story, part mystery, part crime novel. A stranger, Theo Sinclair, arrives in the village of Hickling in the dead of winter asking questions about the disappearance of a young woman called Claire Baldwin twenty-five years earlier. At first Lily doesn’t trust Theo and won’t help him. She’s already got enough on her plate dealing with the questions raised by her father’s suicide, questions that make her wonder how well she really knew her Dad.

Theo’s arrival also seems to stir Lily’s long-buried curse of seeing the dead as the night after his arrival, she experiences the first twinges of a migraine and senses a shadowy presence haunting her room. 

Theo persists in asking Lily for help, and as Lily learns more about him and why he’s come to Hickling, gradually her reluctance breaks down. She starts to help him and as she and Theo dig deeper into Claire’s disappearance, the ghostly visions grow stronger, and Lily finds disturbing links between her father and Claire.

Already harbouring suspicions about her father after his suicide, she starts to realise that finding the truth may destroy everything she loves and holds dear, and force her to finally confront the ghosts that haunt her. 

Was a real person your inspiration for this character?

No, Lily, like all of my characters, is a mix of different influences and inspirations, not one real person. When I look back at the first notes, as I say, the character came from a need to have someone who could act as a go-between for the stranger arriving in the village, and the villagers themselves. 

The Whippet, the Pub in the book, was inspired by a real Pub in the village of Hickling called the Greyhound, and what struck me about the Greyhound was how it seemed to be a hub of village life so that naturally suggested making the main character someone who worked in the pub.

From there, Lily’s character evolved first through the notes and planning, then through the drafts. And naturally, the main character has to be the one who hurts the most, who suffers the most, and by the end of Bleak Waters, Lily has certainly done that.

Is your character likable or not?

According to the beta readers, yes! It’s interesting because when you read the reviews of my first book, Badlands, a lot of people felt that Willow was a tough character to like, but that characterisation came from her harsh back-story. 

When we meet Lily, she’s not world weary in the way that Willow was. She’s haunted, and guilt-stricken yes, but she’s still living at home, in her cozy village with people she loves, and she’s got a big heart. She cares and in some ways she’s an emotional open book, whereas Willow is more guarded and more defensive. But none of that was deliberate for either character. It all evolved naturally from the respective story’s needs.

Extract from Bleak Waters

Lily threw her phone down on the bed. Eyes gritty, the need for sleep clouding her thoughts now, she stripped and slipped on a pair of thick woollen pyjamas. She cleaned her teeth, peed, washed her hands then slapped out the light. In the dark, she crossed to the bed, yawned, and stretched wide. As she lowered her arms, a sharp pain stabbed over her brow. 

She winced, pressed her fingertips against the bone and rubbed the skin. The pain made her stomach squirm. It bought back memories of the migraines that had plagued her early adolescence. 

Back then, the migraines had gotten so bad they left her speaking in tongues and seeing visions, seeing people that were not, no, could not be there. Still, she had been migraine free for almost ten years now. This was probably just tiredness. Lowering her fingers, she turned to draw back her bedclothes. 

The pain flared. A shadow moved in the corner of her eye. Vague and blurry. Heading for the door behind her. Sucking a gasp, she spun to get a better look. Saw nothing but the door locked and latched. 

The pain faded but didn’t vanish completely. She blinked in the dark but saw nothing now. 

Skin crawling, but convincing herself she was overreacting, she turned back to the bed. As she reached for covers again, she sensed a movement in the dark behind her. And a sound. Like a footstep on the laminate floor. 

She froze. The pain in her brow throbbed. A scent lingered in the air, faint, and ephemeral. It smelt like the ghost of a memory. It was the smell of sweat and sun-cream. Fists clenched tight, Lily turned and peered into the darkness behind her. 

“Dad?” she whispered. 

Her voice broke the silence. The pain disappeared and the feint scent vanished. Lily stood in the dark, heart trembling, breathing quickly, two questions consuming her thoughts. 

Had she imagined that sense of movement, the footstep, the ghostly smell? Or were the migraines, and the visions that came with them, starting again? 

GARY KRUSE

Authors Bio

Gary Kruse is a writer of thriller and horror fiction about people on the edge of society struggling to find who they are, where they come from and where they’re going. He has won and been shortlisted for several short story competitions and his debut novel, Badlands is an Amazon bestseller. 

Bleak Waters is his second novel. 

Links

Bleak Waters: https://mybook.to/bleakwaters

Author Website: http://garykruse.co.uk/

Twitter: www.twitter.com/@garykruseauthor

Instagram: www.instagram.com/@gowerkrusewrites

Facebook: www.facebook.com/GaryKruseWriter

TikTok: https://www.tiktok.com/@garykruseauthor?_t=8dDyqMKxYvS&_r=1

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The Sacred Dog

A Good Guy: Frank Hooker

Yes, Frank Hooker may be a good guy, but he’s also a flawed one in my new book, The Sacred Dog, which is out Dec. 27. That’s what makes him a realistic character in my mind. Let me tell you more.

Frank owns The Sacred Dog, the only bar in Holden, a small, hick town in Western Massachusetts, where the locals like to drink beer and gab about what’s going on in their lives and their neighbors’. He’s a local himself since his family has lived there for generations.

He’s the kind of guy that will greet you with a smile and a welcoming word. He’ll toot his pickup’s horn when he passes somebody he knows. Frank would stop if he saw someone whose car was broken down on the side of the road. If a family in town has a tragedy like a fire or illness, he’d be the first to give. And he’s the type to take in a stray dog and name his bar for the animal.

Frank’s divorced. He thought he and Verona could be happy forever but she was bored with their life and got tempted to cheat with her boss. After the divorce, she took their daughter, Crystal to live in Florida.

A secret in this town: Frank’s not really Crystal’s father. But he married Verona, who he had been dating before, when he found out she was pregnant. Yeah, Frank, who raised Crystal as his own, is that kind of guy. He even made the trip several times to Florida to see her. Now Verona is moving back home after three years. Frank doesn’t quite know what to make of it.

Most people would agree Frank is a good guy, save for Al Kitchen, but he has his reason. Frank unfairly blames Al for his brother’s death. Al and Wes were best buddies who liked to get into stupid trouble. Al was in the car crash that killed Wes, but not at the wheel — a fact Frank won’t accept. He openly hates the man, which naturally doesn’t sit well with Al.

The only reason Frank lets Al come into his bar is because his grandmother begged to let him have two beers. Frank goes along with it because he figures it’s better to keep his eye on someone he doesn’t trust or like. He’s waiting for Al to do something wrong and then he’ll be out for good.

This whole thing is twisted in Frank’s head. I predict nothing good is gonna come from it.

LINK: Here’s how to find The Sacred Dog on Amazon: https://mybook.to/thesacreddog

ABOUT THE PHOTO ABOVE: A half pour of IPA brewed by my son Zack at his Floodwater Brewing in Shelburne Falls, Mass. But at Frank’s bar the locals only drink from the bottle.

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6Ws, Author Series

6Ws with Author Kateri Stanley

Kateri Stanley is the next author featured in this 6Ws series. Her latest book, From the Deep, is a modern day, dark fantasy thriller. She says fans of Gillian Flynn’s Gone Girl and Hans Christian Andersen’s The Little Mermaid might enjoy reading it. Now that makes me curious. Read on to learn more about Kateri Stanley — a pseudonym by the way — and her writing.

Who is the author Kateri Stanley?

I’m a British-based writer moonlighting under a pen name, I work a regular office job by day, and I live with my boyfriend and our cat. I love my music, movies, TV shows and a video game here and there. Big fan of comedy. I’m an introverted geek. 

What is your latest book? 

From the Deep is a modern day, dark fantasy thriller. Based in the fictional town of Drake Cove. It follows fisherman, widower and single dad, Julian Finch who finds out that two of his colleagues have been murdered. His hometown is struggling under a huge hot media spotlight as their controversial practice of The Culling hits headlines everywhere.

The suspects of the murders come in the form of radical animal rights group, Fighters Against Animal Cruelty – FAAC. They go wherever the politics is trending and detests the town because of the brutal killings of pilot whales which are eaten.

After a hate attack goes viral, Julian and his daughter, Emily stay with a family friend, Frank Blothio. He is an ex-fisherman turned writer and political activist who does not have the best history with the animal rights movement, or Drake Cove as a whole. As Julian integrates into the Blothio way of life, he discovers heinous secrets and disturbing truths lurking beneath the skin of his hometown that will change his life forever.

Fans of Gillian Flynn’s Gone Girl and Hans Christian Andersen’s The Little Mermaid might enjoy it.  It was published by indie publisher, Burton Mayers Books on the 6th May. 

When did you begin writing? 

I’ve been writing since I was a kid whether it was jotting down a diary, ideas, short stories, bad poetry, fan fiction, lyrics. But I didn’t start writing with serious intention to be published till I was a teenager when I started working on my first original idea.

 How do you write? 

I normally have an idea in my head and I let it simmer for a while. If it doesn’t go away, it will naturally mature, spread legs and blossom. I jot them down, might do a bit of research. then I start writing, typing up the first draft. Sometimes the ideas change and I go with the flow of it.

 Where do you write? 

At the moment, I write in my office at home and when I have a breather, I’ll scribble something down or jot it on my phone during my lunch break at work. 

Why do you write? 

It’s linked to my mental health. I have a lot of characters and stories swimming in my head. I feel alive when I write. If I didn’t, I’d probably be in a mental hospital. 

Links to books and social media: 

Website: www.kateristanley.com

Twitter: https://twitter.com/sal_writes

Instagram: http://instagram.com/sal_writes

Facebook: https://www.facebook.com/salwrites2

Goodreads: https://www.goodreads.com/author/show/21272876.Kateri_Stanley

BookBub: https://www.bookbub.com/profile/kateri-stanley

From the Deep on Amazon: https://www.amazon.com/gp/product/B09WG2GVV5

Forgive Me on Amazon: https://www.amazon.com/gp/product/B08XQSQF1D 

All links: https://linktr.ee/sal_writes 

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