Isabel Long Mystery Series, The Sacred Dog

Voices in My Head

I don’t mean those kinds of voices, the ones that get you into trouble or treatment. I am writing about the voices of the characters in my books and the conversations they have with each other whether they are adults or children. As you can see from the stack of books in the photo above, I have been doing that for a while.

Right now, I am working on the seventh in my Isabel Long Mystery Series. This one is called Missing the Deadline. I don’t want to give away too much just yet, but I am way past the half-way mark. 

For those who haven’t read the series, it is written in first-person, present-tense so the primary voice in my head is Isabel telling the story. Of course, there are the conversations she has with other people and what she might overhear. There are a number of other characters in the series, many who appear throughout. 

Say Isabel is having a conversation with Jack, the owner of the Rooster Bar and her love interest. Part of their thing is a good-natured back and forth, teasing, you might say. Maria, Isabel’s 93-year-old mother, is the level-headed observer who at times pulls parenting rank on her daughter. Annette Waters, who owns a junkyard and garage, lives up to her nickname the Tough Cookie. Gary Beaumont is always bossing around his brother, Larry.  Then, there are the Old Farts, those gossipy men who hold court in the backroom of the Conwell General Store.

I guess it all started when I was a kid living a sheltered life, which mean I only left our yard to go to school, church, watch my father’s softball team play, or to visit relatives. My siblings and I were big into pretending games. Plus I was a big reader. I loved getting lost in books.

Later in adulthood, when I no longer lived a sheltered life, I was a newspaper reporter. That experience, reporting on the hilltowns of Western Massachusetts, enabled me to listen to how people of all walks of life talked and to write it down. It was great training. Plus it inspired making rural New England the setting for most of my books.

The Sacred Dog, which is not part of the series, is my most recently published novel. That one, a thriller set in rural New England, is written in third-person, past-tense. The Sacred Dog is a country bar where the locals drink and gab, so there is that barroom banter to get right. But I needed to capture what the book’s three main characters would say. Frank Hooker, the owner, hates Al Kitchen, who he wrongfully blames for his brother’s death. Their conversations are terse and tense at best. I “hear” how they relate when Al has the nerve to show up at the bar. The same goes into their dealings with other people, including Frank’s ex-wife Verona, who returns to town with a dark secret, and his young daughter. One of my favorite dialogues happens between Jenny Kitchen, Al’s scratchy grandma, and Frank. 

But back to Isabel Long, specifically Missing the Deadline, who has been inside my head lately? My favorites, of course, like Jack, the Old Farts, Annette, the Beaumont brothers, and of course her mother. But Cyrus Nilsson, aka the Big Shot Poet, plays a significant role in that he hires Isabel for her seventh case. Plus, as this case — my lips are sealed — takes Isabel to another place and people of interest, there are new characters to hear. I will be sharing more about Missing the Deadline in the future.

ABOUT THE IMAGE ABOVE: Yes that’s the books I’ve published so far. Darkstroke books published the Isabel Long Mystery Series and The Sacred Dog. I self-published the rest. By the way, the second in the Twin Jinn Series will be published this year.

LINK: Here’s the way to find my books in Kindle and paperback on Amazon: https://www.amazon.com/stores/Joan-Livingston/author/B01E1HKIDG

The paperback versions of most of my books are also available on Barnes and Noble: https://www.barnesandnoble.com/

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Isabel Long Mystery Series

Good Hearted Readers

I am fortunate to have a son who owns a microbrewery — Floodwater Brewing. Besides brewing great beer, Zack has created a community space in our Shelburne Falls Village for locals and visitors along with musical entertainment, games, and comedy. And I joke as his mother, I get free beer for life. Besides that perk, paperbacks of my Isabel Long Mystery Series are on sale. They even have their own shelf built by Hank.

Admittedly, the vast majority of my book sales are through Kindle as digital is the preferred way to read for so many people. I am also grateful that digital enables my books to be available to readers around the world. But then, there are those who prefer a book in hand, whether they’re old school readers or people who already spend a lot of time staring at a computer screen. So, for paperback readers, I offer them the books in my series at what I call the Floodwater Discount. I can do that since my son doesn’t take a cut, nice kid that he is. (He also named one of the beers and a tank for me.)

Sometimes it’s an impulse buy for a visitor to Floodwater. Sacha, one of the bartenders, recently sent me a text about a woman who came in on a Sunday afternoon and bought all five books. The woman hugged them — Sacha sent me a photo — and jumped up and down, excited to have the series. I am sorry I wasn’t there to thank her. 

There have been times when someone bought a book off the shelf, and then discovered I was sitting at the bar across from them. I went over to talk.

I have also done two readings at Floodwater and will likely do more.

Other times, people have bought the first, got hooked and continue through the series. That’s what’s happening with musician Scott Cadwallader, who performs at open-mic nights at Floodwater. On Sept. 2, he did a solo show. Scott plays the originals he has skillfully composed, no covers, but that night as a tribute to my series, he started his set with “Good Hearted Woman.” I believe Scott is onto book no. 3.

That’s Scott playing the tune in the photo above. 

“Good Hearted Woman” is a Waylon Jennings song about a woman who will put up with her man’s rowdy habits. The song is on the playlist for the bands that play at the Rooster Bar, where Isabel Long tends bar on Friday nights. It is the first song she and Jack dance to in Chasing the Case, the first in the series. It eventually becomes their song.

Here’s the first mention.

On the other side of the room, the Slim Jims gulp down beers before their next song. One of the Jims leans into the mike. “This is for all you bad hombres lucky enough to have a woman like this.” Then the crowd goes a bit nuts when the Slim Jims play the familiar opening to Waylon Jennings’ “Good Hearted Woman.” Yeah, I bet all the bad hombres in this room would like one of those gals.

Jack drops a full tray on the counter and before I take anything, he grabs my wrist. He tips his head toward the direction of the band.

“Come on, Isabel, let’s dance,” he says, and then he announces loudly, “The bar’s closed. No beer until this song’s over.”

I let him drag me onto the floor. I haven’t danced in well over a year. Jack’s a bigger man than Sam, but I’m surprised by his moves. I can’t recall seeing him dance before, but then I might have just been having too good a night out with Sam that I didn’t pay attention. I let him have the lead, and he’s got me twisting and twirling on the dance floor. I hear myself laugh. Jack laughs, too. The other dancers move aside for us. He’s got that big Jack Smith grin going. He’s spinning me this way and that, and even ends the tune with a corny, little dip. We get a cheer from the customers when he pulls me upright at the end.

I’m a little breathless, but I manage, “Thanks. That was really fun, Jack.”

He chuckles.

“We’ll have to do it again soon,” he says, and then he jokes, giving me a loud but friendly, “Now, woman, git back behind the bar.”

So thanks Scott for playing that song and for everyone who stops by Floodwater and buys one of my books. Stay tuned, Following the Lead will be out Nov. 3. Here’s the link to preorder and magically it will appear in your device that day: https://mybook.to/followingthelead

Alas paperback readers will have to wait a little bit longer.

FLOODWATER: The brewery, owned and created by Zack Livingston, is within a short walk from the noted Bridge of Flowers in Shelburne Falls, Massachusetts. Here’s the link to learn more http://floodwaterbrewing.com

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Rewriting, Writing

Hey, Look What I Found

I was rearranging stuff in the attic, when I discovered another version of my novel The Swanson Shuffle. As yet unpublished, the novel was inspired by my experience living and working in a psychiatric halfway house. I have envelopes containing manuscripts of my other works, but what made this one especially interesting is that it’s bound with plastic cover and rings. I believe it was a requirement for one of the contests I entered a long time ago, and I had a copy made for me as well. Although a bit yellowed on the bottom, it has survived two 2,400-mile moves across the country.

I wrote Walking in Place, which is the book’s original name, in 1999. I failed to lure an agent or a publisher for it. Actually, the agent I did get passed on the book and instead agreed to represent one of my hilltowns novels, which alas, he couldn’t get published. Yes, it’s been a long, strange trip.

Then in early 2014, I rewrote Walking in Place and renamed it The Swanson Shuffle. Both titles refer to the side-effect of one drug a few of the residents of Swanson House take. I have had a hard time finding a publisher for that one as well, so I’ve decided to read the original and see if there is anything in there I could use to make the novel better.

The two versions have many of the same characters. The protagonist is named Rose in the first book and Bia in second. The first is written in first-person past tense, and the second, first-person present tense.

Walking in Place begins when one of the residents, Jerry, has been arrested. The Swanson Shuffle starts with Bia coming for a weekend as part of the interview process. She meets Jerry outside while he’s working on his car.

The first version has hardly any chapter breaks. The second, as is typical of my current writing style, has lots.

In the first book, a lot of the plot revolves around Rose’s relations with the staff, including a bit of romance. The second focuses on Bia’s relationships with the residents, who, frankly, are far more interesting than the staff.

I finished reading Walking in Place when I awoke this morning at 2 a.m. and couldn’t go back to sleep. In the end, I decided I made the right move rewriting Walking in Place. I was pleased at the progress my writing made during those fifteen years. The Swanson Shuffle is tighter, livelier and certainly better written. It’s also a better story.

But I acknowledge there might be some passages and ideas I could take from the first.

I am also weighing which title to use — and whether to change the novel to past tense or even third-person. I may experiment with a couple of chapters. Such fun.IMG_0904

By the way, that was my second discovery last week. The other was a copy of Lady Chatterly’s Lover, circa 1928, that I scored in a free book box in downtown Greenfield. It originally belonged to a local library, and considering its controversy, I am a bit surprised.

I will go through my collection and see what I can spare in return.

ABOUT THE PHOTO ABOVE: My copy of Walking in Place.

 

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Isabel Long Mystery Series, Writing

Giving It My Undivided Attention

I can write anywhere. I’ve proven that to myself numerous times. Perhaps, it comes from when I was a kid doing my homework in front of the TV and getting good enough grades to be on the honor roll. I am well past schoolwork, and these days my focus outside of my job is writing fiction, to be specific finishing the fourth in my Isabel Long Mystery Series. This one is called Killing the Story by the way.

As I write this, I have about 15,000 words to go and a self-imposed deadline of April 1 to finish this draft. (I also mentioned to my publisher, Laurence Patterson of Darkstroke Books, I am hoping to launch this book by early summer.)

It’s taken quite an effort for me to find the time to write this book, given I work 9-10 hours a day at the newsroom. As I’ve posted before, I try to get up very early, hoping to reach 500 words before I have to head out. Ah, but often real life gets in the way.

I’ve decided I need to shake things up to reach those goals .

So, Wednesday I tried something different. I had an hour before the newsroom opened at 8 after I dropped off Hank for a very early appointment. It didn’t make sense to go back home, so I headed to a coffee shop around the corner.

At 7 a.m. the only people there were the woman behind the counter and me, likely because the baked goods hadn’t arrived yet. I ordered a black tea, found a table and went to work. It was the most productive hour I’ve had in a long time.

Perhaps it’s the change of scenery or the fact I couldn’t get up to load or unload the dishwasher, take a shower, make my lunch, or whatever. I had already done that before I left the house. And I could easily ignore the few customers who came.

When it turned 8 a.m., I collected my things and walked halfway around the block to the newsroom — feeling pretty damn good about myself.

I did the same Thursday, then Friday, with the same results, so I plan to continue until I finish this novel. (On weekends, I will use my office at home or maybe find another writing spot in the village where I live.) I love writing fiction. I just want to give this novel the undivided attention it deserves.

Sounds like a plan to me.

LINK: Here’s how to find my books:  Joan Livingston on Amazon

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Western Massachusetts, Writing

Two Books at Once

Well, here’s something new for me — working on two books at the same time. One is a work in progress and the other is a novel I wrote a long time ago. There’s a good reason for it, and I don’t mind saying it’s fun to be plunked into two different worlds.

The first book is Killing the Story, the fourth in the Isabel Long Mystery Series. Isabel Long, my protagonist and the rather sassy narrator of this series, has been hired to solve the death of the editor and co-owner of a small town newspaper.

Years ago, Estelle Crane slipped on some ice walking home one night from the newsroom and died from the fall. Everyone thought it was an accident. But then her son, who took over the paper, recently found a briefcase with papers that makes him feel otherwise.

I will share a secret: I solve the mystery along with Isabel. No outlines for me. That’s what happened with my other books. And although two-thirds of the way through, I am still figuring it out.

Could it be the town’s crooked police chief that has a history with Estelle’s family? How about his son, who’s on the force, or the nosy newcomer who was after Estelle to dig up some dirt via anonymous letters? Maybe it’s somebody else that Isabel — and me — have overlooked.

With my job as editor-in-chief of a daily newspaper, this book is taking me longer to write. To catch up on the gaps in writing, I print out a hard copy and get out the red pen.

But I have set myself a deadline of April 1, so full speed ahead.

Now, to the second book, Northern Comfort, which I wrote in 2007. My agent then came really close to getting it published. Sigh.

Northern Comfort, which I would call a literary novel, is about the dark side of a rural “New England town, holding onto its traditions of making maple, playing old-time music, and keeping family secrets.” That’s from the query letter I wrote.

It’s a heavy book that begins when a child dies in a sledding accident. His death brings together three people: his mother, the man whose sled killed him, and the father who had abandoned him.

When I picked up Northern Comfort recently, I found myself moved by the story. Yes, it is my work, but it had been a long time since I had read it, and I had forgotten my characters and the weight of the words I used. Although it is set in Western Massachusettes, it is nothing like the Isabel Long books. I have a printed copy and am going over it with a red pen. Actually I found just small things here and there to change.

My aim is to pitch Northern Comfort to publishing houses that focus on literary fiction and don’t require an agent. I have a top choice, that requires a query letter describing the book and the first 50 pages, which I’ve been editing. I showed it to two friends and I am almost ready to mail it out — the company only does snail mail.

So, here goes. Wish me luck.

ABOUT THE IMAGE ABOVE: The exterior wall at Satchel’s Pizza in Gainesville, Florida, which we recently visited.

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