Memory

The Last Doll

As I recall, it was a few weeks before Christmas when my mother asked me what I wanted as we rode a department store’s escalator. I was 12, many years past believing in Santa Claus. My childhood was slipping away and I felt unsure what would happen next.

My eyes searched the store from the escalator’s vantage point. I pointed toward a boxed doll positioned on a shelf high above the store’s counters. The doll was a couple of feet tall and wearing a blue ball gown of taffeta and satin. Her hair was blond.

“I’d like that doll,” I said.

My mother was doubtful. “Are you sure?” she asked.

I said yes, and then later wished I had asked for something else. But my busy mother was relieved to get that chore out of the way.

As we approached Christmas morning, I was miserable. I felt the same way when I unwrapped my gift and stared into the doll’s blue glass eyes. Her skin was made of a synthetic rubber to make it feel like it was real, sort of, if the doll were a corpse. Blonde and blue-eyed, she looked like no one in my dark-haired Portuguese family. My guess is she was supposed to be a teenager at the prom.

I had other dolls, and even a Barbie. I named this one Veronica. She sat on my bed and got played with a bit. She was not my favorite.

My parents held onto Veronica in their attic after I grew up and moved away. One time as an adult, I brought the doll back for my daughters, but they were not interested in her either. By then, one of my younger sisters had chopped off her hair unevenly and the blue gown was raggedy. Her limbs were bent in a bow as if they had atrophied. Her shoes, sparkly high heels I recall, and underpants were long gone. 

Eventually, I tossed her out.

I learned a lesson that year. Ask for what you really want. But perhaps at that time in my life, at age 12, what I wanted was finality.

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Writing

Know When to Fold ‘Em

Undoubtedly you’ve heard the Kenny Rogers’ song, The Gambler, in which the singer encounters a seasoned card player who gives him advice while on “a train bound for nowhere.” On the surface, the gambler talks about playing cards but the words could apply to other experiences. Certainly that was true this week for a book I was writing. 

For the past few months, I’ve been writing a sequel to my book The Sacred Dog. No spoilers but I wanted to write how the people living in a small town couldn’t bring themselves to forgive a man who committed a horrible crime. I call it The Unforgiving Town.

The Sacred Dog was released last Dec. 27. Ah, but I wrote that novel over twenty years ago, the first one I completed, and despite my efforts and those of a former agent to get it published, that didn’t happen until my publisher, darkstroke books, agreed to take it on. The Sacred Dog is not part of my mystery series, but it has the same setting — the fictional hilltowns of Western Massachusetts. This book is about a feud between two men destined for an ugly reckoning. (The Sacred Dog is the name of the bar one of them owns.)

So I decided to dive into what might happen to one of the characters after he did time in prison. The story flowed pretty easily for weeks. And then at 25,000 words or so, I realized I had reached an impasse. Huh? This wasn’t a writer’s block. I had one of those that lasted 25 years earlier in my life, so I know what that’s about. Instead, here was my realization: My head simply wasn’t in the same place as it was when I wrote The Sacred Dog. It is a well-written book, but I have gone onto other books, other stories, other styles. I wasn’t the same writer.

These words by Kenny Rogers made absolute sense: “You’ve got to know when to hold ’em/  Know when to fold ’em/ Know when to walk away.”

Yes, indeed.

So earlier this week, I walked away from The Unforgiving Town

I saved the document for on my computer, and moments later, I started a new book — the eighth in my Isabel Long Mystery Series. This one is tentatively called Finding the Source. The victim this time? The town busybody. Certainly every small town has at least one. 

I am a few thousand into Finding the Source, and so far, so good. 

MORE BOOK NEWS: Missing the Deadline, no. 7, has a Dec. 21 release on Kindle. In that one, Isabel Long is called upon to investigate the case of a literary agent who was shot and left to die outside his country home. 

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Hilltown Postcards

A Brief Life

My saddest moments as a mother

We followed a nurse as she wheeled Jacob’s incubator into a small room at the hospital’s neo-natal unit. The doctors agreed he could die. Whatever tests they did confirmed our baby’s brain did not function. Only the machines and medicines had kept him going these sixteen days.

I stood beside the nurse as she lifted Jacob onto a padded table. He still had his breathing tube, but she had disconnected the IV drip and wires used to monitor his tiny body. She let me dress him for the first and last time. Hank handed me the paper bag we had already brought once to the hospital, and he returned to his chair, stone-faced, but his eyes gave away his misery. His hand rested on the seat of the empty chair beside his.

I removed the neat pile of clothes Jacob’s older brother wore when he newborn. I slipped the cloth diaper, folded into a small square, beneath his bottom, pinning the sides with pins with plastic ducks near the fasteners. The nurse held the nightshirt, the kind that crosses in the front, then snapped. The soft white cloth hung on him, as did the flannel nightgown I sewed. That baby was nine pounds when he was born and didn’t wear it very long. Jacob weighed less than two because he was born nearly three months too early.

The nurse lifted Jacob as I spread a flannel blanket and the quilt I had made, laying him in its center, so I could pull the corners into a tight package. I always bundled my babies this way, sometimes in several layers, old-fashioned perhaps but I thought it made them feel secure. After being contained inside me for so long, I offered them this transition.

For Jacob, this is the way he would be buried, wrapped in these soft, white clothes. He wouldn’t know or feel them. But these things mattered. 

I told the nurse about the bag that would go with him to the funeral home. It contained toys our other children chose to put in his casket. I wept when they brought me the toys, the smallest ones they had: a stuffed rabbit, a matchbox car, a chew toy, and a rattle.

Jacob was ready, and I sat beside Hank with our backs to the window and doorless entry to the rest of the ward. The nurse removed his breathing tube. I expected a small gasp, but Jacob did not make a sound. She placed him in my arms, and I held him as I had done during my visits here. I looked into his small, still face as the nurse explained that even without the respirator his heart would continue beating. She would come back to check.

The nurse wanted us to know our son could not have gone on, that we had not made a mistake letting him go. “It’s not because his heart is strong,” she said. “It’s from the medicine. I just wanted you to know that.”

I held him and then when Hank was ready, he did. We took turns.

Jacob’s heart beat two hours more. 

This was the first time I witnessed death firsthand. I only knew three blood relatives who died in their old age. I was a child then, and after the news was told, I didn’t know how to feel, except for my grandmother, who I saw every day and would miss. I thought it would make my parents sadder if I was sad.

Now Hank and I waited with our infant son as he died. We cried openly. We talked mother and father talk, kissed his face, and cried and sang lullabies. We talked about his brothers and sisters. We said nothing, waiting, wondering how long his heart would last.

The nurse returned several times, bending over us as she listened to his heart through a stethoscope.

She shook head.

“Not yet,” she said.

Sounds from the other room distracted me. A baby in the neo-natal unite was having a seizure. People were tending to him. No one came into our room except the nurse. They must have all known. This must be the room where parents wait for their infants to die.

I felt Jacob’s body lose its warmth. The skin of his face darkened. The nurse checked again, but his heart beat still.

We kept going, finding new things to say, things that we hope would comfort his spirit. I felt his body grow colder. The blankets or the heat from our bodies did nothing to warm him. His skin was violet. Our baby did not look as if he was sleeping or at peace. He wore the same expression he had since he was born. Empty.

Finally, the nurse confirmed what we already knew. Jacob was dead. She took him in her arms, and we left the room, crying hard, holding onto each other. That was April 23. Jacob lived sixteen days.

Two days later, we buried Jacob at the North Cemetery on Cold Street in Worthington. We invited no one. It would be just our five children and us. The late morning sun shone through the branches, bare still as Hank drove to the cemetery. Daffodils rose through the dried bleached leaves near the headstones. 

The man from the funeral home arrived in a boxy tan station wagon. The director, the father-in-law of the building contractor who Hank worked for, said he would handle the funeral at no charge. The hospital would have taken care of his body, but we said no. It was not enough.

I watched the man from the funeral home walked around the rear of the station wagon. He opened the tailgate. A small, white box was in the back. With its lid and embossed cardboard exterior, it looked more like a gift box than a baby’s coffin.

“Where are the flowers?” I asked.

“Flowers? I’m sorry, ma’am, I don’t have flowers.”

“I ordered a blanket of flowers.”

He apologized again. It was not his fault. I should have asked about it when I called the florist. I felt tears start again. The man’s face was red.

“It’s OK. We’ll get it later,” Hank said.

It wasn’t okay, but there was nothing we could do. I nodded, and Hank bent to pull the coffin toward him. He cradled it in his arms. Our oldest daughter burst into tears. Hank gave me a stricken look. The other children were silent. They had never experienced death, except the one of a pet. They were sad about their brother because we were sad, but the baby inside the box their father carried was some sad mystery.

But our daughter was fourteen. She helped me with the other babies. She was there when two were born. She understood.

It was time to be brave. I lifted the youngest onto my hip.

“Let’s all hold hands,” I whispered to the others, and we followed Hank in a crooked line over the dry grass.

The man from the funeral home stayed behind.

Our son’s grave was in the cemetery’s newest part, up from the tilting gray slabs for Worthington’s earliest settlers, their names and dates worn away by the elements, and the middle where the relatives of the town’s natives now rested. 

The day before, Hank and the two older boys dug his grave. It’s not the custom in our town, but the cemetery commissioner agreed when Hank asked. Work makes him feel better. He couldn’t do anything in the hospital to help our son. But he could wield a shovel to carve a box-like hole large and deep enough for a baby’s coffin from the rocky, clay soil. The three of them were gone a few hours. I stayed home. I could not watch.

Hank placed Jacob’s coffin on the ground. The children clustered close to me, the tops of their heads shining in the sun, as their father pulled a paper from his jacket pocket. He read the words he wrote the day before about Jacob and what he meant to us. 

I listened, stunned by my sadness and the simple but profound words of my husband. Hank ended his speech. Birds, moved by their spring homecoming, called from the trees. He bowed his head. We waited. Then he stooped to set the box inside the hole. He placed the paper on its lid. He stood. Our sad eyes met.

Hank turned to get the shovel he had left near the pile of dirt. We watched as he filled the grave, the dirt and pebbles drumming lightly over the white coffin, until a soft mound rose. Then we walked downhill toward the car. The man from the funeral home came to wish us well.

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Isabel Long Mystery Series

Staying in Character: Channeling the People in My Books

Great actors are famous for it. When they do, the viewers forget the actor and only see the person they are playing on stage or screen. Some even take it a step further and stay in that role off camera.

But writers like myself have more than one character to consider. We get into their skin, so what they say and do are authentic to the stories we write.

My Isabel Long Mystery Series is written as a first-person present-tense narrative. Isabel is a smart, mature woman who is a bit of a wiseass. As a former journalist, she developed the ability to see through people and any bull they try to dish her. Just like reporting a new story, she’s methodical about her cases. I will admit there is a lot of me in Isabel — I was a journalist for over 30 years although not a widow nor a private investigator. I don’t like that much danger to be a P.I.

Isabel Long is so imbedded inside of me it’s rather easy for me to figure out what she will do in any given scene or situation whether it’s solving a mystery, pouring beer at the Rooster, being with its owner Jack or dealing with her family, including her mother, Maria, her partner in solving crime. 

In Missing the Deadline, no. 7, she’s given a tough case. Gerald Danielson was found shot in the head at his home in Meadows Falls. He survived but isn’t the same successful agent who moved there from New York City. The police ruled it an attempted suicide, but the person hiring Isabel has his doubts. Certainly there are people, including a vindictive ex-wife, a jilted local writer, and even an apparently devoted sister, who might have motive.

So how should Isabel approach such a case? I channel Isabel and we figure it out together.

But, of course, Isabel isn’t the only character in this series. Some are one and done in a book. Many others have stuck around. As each one appears on a page, I channel that character so I know how they should react to any situation I throw at them. 

Take Annette Waters aka the Tough Cookie. She wouldn’t be shy about anything. If someone dared to give her a hard time, she’d dish it back and twice as hard. But then again she runs a garage and junkyard. There’s her cousin, Marsha aka the Floozie who co-owns the Pit Stop convenience store. She’s another one who doesn’t take crap from anyone. Both are locals but they’ve grown fond of Isabel and her mother even though they are newcomers. 

It doesn’t matter the character’s gender. I know what will come out of Jack Smith’s mouth before he says it. Jack’s cousin Fred Lewis aka el Creepo typically says the wrong thing, and Isabel isn’t shy about telling him off.

I believe the best training I received was first as a daydreamer. As a kid, I created fabulous stories inside my head, perfecting them. The second was when I became a journalist. As a reporter, I had to listen carefully to what people said and observe how they behaved. It was a great experience I believe has paid off with authentic characters. I hope my readers feel the same way.

PITCH FOR MY NEXT BOOK: Missing the Deadline, no. 7 in my Isabel Long Mystery Series, has a Dec. 21 release on Kindle. (Paperback readers will have to wait a couple of months.) 

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Hilltown Postcards

Learning to Drive at 35

Strange but true, I didn’t get my driver’s license until I was in my mid-thirties. Until then, I didn’t need one or I made do without. When we lived in a city such as Boston or Seattle, I used public transportation. It was nothing for me to take four kids, including one in a stroller, on a trolley or bus to go shopping.

But when we moved to the sticks of Western Massachusetts, I realized the gig was up. 

My parents, the children of immigrants, were very old-fashioned when it came to their teenage daughters learning to drive and getting a license when we turned 18. As my father explained, they only had one car and couldn’t afford to have a kid use it or worse crash it. (My father was an autobody repairman.) So, unlike my fellow classmates, my parents drove us wherever we needed to go or we walked or took the bus. Yes, my sisters also were late drivers although they got their licenses years earlier than me. Our baby brother? Oh, he got his when he turned 18.

In college, I depended on hitchhiking and friends who had cars. Afterward I lived in those cities I mentioned, where public transportation was easy. Sometimes Hank and I had a car, sometimes we didn’t. On a couple of occasions I ventured to get a license, but my heart wasn’t in it so I let the learner’s permit expire.

But the reckoning came a few years after we moved to Worthington, which had about 1,200 people and no public transportation. The nearest general store was several miles away from our home in the Ringville section. A few friends kindly offered rides to medical appointments and school events, but I was pretty much homebound, except when my designated driver Hank was available.

One night though I had a dream that I was at the wheel of a car. When I awoke, I was convinced I could do it. 

Hank was my teacher and our marriage survived it. We had a vintage VW bus. Stick. My first few attempts I will admit were pretty lousy. One time a couple of the kids came with us and afterward one of them hugged me and begged me not to drive. A big breakthrough came when we bought a car that was an automatic. The lessons went a lot better.

Yes, I passed the driver’s test, barely, because I went a little fast in a school zone before I corrected it. Fortunately, I didn’t have to parallel park. I still never do.

Yes, getting my license was a game changer. It made things easier for our family. We had five kids then, and being a driver would enable me to work outside the home, which led to my becoming a reporter for a daily newspaper. (More on that in future posts.)

I will admit to being more of a small town driver. It wasn’t until I had to drive highways on a regular basis that I felt comfortable doing that. But I still leave long distance driving with heavy traffic to Hank. 

Our six kids? They’re all great drivers who got their licenses as soon as they were eligible. I made sure of that.

NOTA BENE:  Hilltown Postcards is an occasional series inspired by my life in rural Western Massachusetts, in particular Worthington, where we moved from Boston. Those hilltowns are the inspired setting for many of my books including the Isabel Long Mystery Series. Missing the Deadline, number seven, will be released Dec. 21 on Kindle.

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