Writing

Writing Two Books at the Same Time

Strange but true that I am writing two books at the same time. Let me explain how this makes perfect sense.

I began Finding the Source, next in my Isabel Long Mystery Series, on Dec. 3. I was inspired while making the final edits for no. 7, Missing the Deadline, which had a release three weeks later. Being in the thick of this story and its characters made me want to start another right away.

When writing novels, I aim for 500 words each day of the week, well, except for holidays and family visits. I started that practice when I worked as editor-in-chief, first for two daily newspapers, and then three at the same time. I got up at 5 a.m. (before the heat came on in the winter) and that was the amount of words I wrote before I left for the newsroom.

Actually, 500 is a satisfying amount of words that helps me maintain the quality of the book I’m writing while making progress. Sometimes I do go over, not realizing it until I look at the bottom of my novel’s document. But I found purposely trying to write longer took the fun out of it. That’s my experience anyway.

But now that I no longer have that job, I wanted to write more. Certainly writing for Substack and my website helped fulfill that desire. But recently I felt it wasn’t enough.

That’s when I found The Talking Table, a YA book I began the day after Christmas in 2022, according to the file’s info. Thinking about that time, I recalled certain family members got Covid, so our holiday gathering that year was postponed. Instead we had a quiet celebration with meals for those who were well and lived nearby.

I was a couple of thousand into The Talking Table when I dropped it. Frankly, I forgot about the book, but there was also a lot of personal stuff going on at that time. I discovered it last month in my computer’s files and was inspired to continue.

The Talking Table is a story told by 16-year-old Vivien Winslow, who recently moved to a trailer park with her mother and brother when they could no longer afford the apartment they had. Their father, who wrote one great book that brought him acclaim, is out of the picture. Why that title? It’s my secret for now.

Here’s how the book starts: We lived in an crappy place, my mother, brother, and me. It wasn’t really a house, but something that came on wheels just like the others in Murphy’s Trailer Park and only a single-wide with white aluminum siding. It was like living in a tin can.

Sure, I told myself, I could write 500 words a day for that book, too. And so I have.

I believe that’s possible because they are two very different books and the readership I am trying to reach is likewise different.

Both are first-person. But in the mystery series, I use present tense to get readers engaged in the cold cases solved by Isabel Long, a smart and savvy older woman. In The Talking Table, I chose past tense as Vivien Winslow reflects on her life as a teenager and what turned out to be a critical experience.

One book is present day. The other takes place in 1967.

The settings are not the same. Finding the Source along with the rest of the series is set in the fictional hilltowns of Western Massachusetts. The location for The Talking Table is a seacoast town inspired by the one where I grew up in the eastern part of the state.

I work on Finding the Source right after I get up and while having my first cup of coffee.

Typically, I save The Talking Table until after I have taken a break doing household chores, errands, shoveling snow, and social media promotion. Sometimes it happens in the late afternoon. But there are times, like yesterday, when I’ve gone from one book to the other. To heck with the other things I had to do.

By my calculations I should finish both by mid-spring. After all, the YA book is significantly shorter than the adult mystery. When that happens, I will get into editing mode and give my books the attention they deserve.

What’s with the sign above? That and another are posted in the Trolley Museum yard in Shelburne Falls Village. 

Standard
Writing

Know When to Fold ‘Em

Undoubtedly you’ve heard the Kenny Rogers’ song, The Gambler, in which the singer encounters a seasoned card player who gives him advice while on “a train bound for nowhere.” On the surface, the gambler talks about playing cards but the words could apply to other experiences. Certainly that was true this week for a book I was writing. 

For the past few months, I’ve been writing a sequel to my book The Sacred Dog. No spoilers but I wanted to write how the people living in a small town couldn’t bring themselves to forgive a man who committed a horrible crime. I call it The Unforgiving Town.

The Sacred Dog was released last Dec. 27. Ah, but I wrote that novel over twenty years ago, the first one I completed, and despite my efforts and those of a former agent to get it published, that didn’t happen until my publisher, darkstroke books, agreed to take it on. The Sacred Dog is not part of my mystery series, but it has the same setting — the fictional hilltowns of Western Massachusetts. This book is about a feud between two men destined for an ugly reckoning. (The Sacred Dog is the name of the bar one of them owns.)

So I decided to dive into what might happen to one of the characters after he did time in prison. The story flowed pretty easily for weeks. And then at 25,000 words or so, I realized I had reached an impasse. Huh? This wasn’t a writer’s block. I had one of those that lasted 25 years earlier in my life, so I know what that’s about. Instead, here was my realization: My head simply wasn’t in the same place as it was when I wrote The Sacred Dog. It is a well-written book, but I have gone onto other books, other stories, other styles. I wasn’t the same writer.

These words by Kenny Rogers made absolute sense: “You’ve got to know when to hold ’em/  Know when to fold ’em/ Know when to walk away.”

Yes, indeed.

So earlier this week, I walked away from The Unforgiving Town

I saved the document for on my computer, and moments later, I started a new book — the eighth in my Isabel Long Mystery Series. This one is tentatively called Finding the Source. The victim this time? The town busybody. Certainly every small town has at least one. 

I am a few thousand into Finding the Source, and so far, so good. 

MORE BOOK NEWS: Missing the Deadline, no. 7, has a Dec. 21 release on Kindle. In that one, Isabel Long is called upon to investigate the case of a literary agent who was shot and left to die outside his country home. 

Standard
Isabel Long Mystery Series, Writing

Getting Oh So Closer to the End

Specifically, I mean Missing the Deadline, the next Isabel Long Mystery, number seven in the series. I began this book late last fall and kept at it despite distractions such as working with my editor on The Sacred Dog, holidays, family visits, and personal stuff. You know real life.

My head these days has been filled with what-ifs as I come to the story’s conclusion.

What is Missing the Deadline about? Cyrus Nilsson, aka the Big Shot Poet who first appeared in Checking the Traps, hires Isabel to investigate the shooting of his former literary agent. Gerald Danielson survived what the police ruled an attempted suicide, but he has serious cognitive issues. After overhearing what somebody said at a party though, Cyrus questions whether someone else could be responsible.

Gerald lives with his devoted sister, Wendy, who now runs the literary agency, in a village called Meadows Falls. He has an aide, Miguel. As Isabel delves into this case, she looks for people who might have a reason to shoot Gerald Danielson, and there are definitely suspects, including an ex-wife who writes smutty romance novels and a sci-fi writer who is bold-faced liar. For those following the series, many of my notable characters, like Jack, Isabel’s mother, Annette, the Beaumont brothers, the Old Farts, Dave Baxter, even Lisa, have roles in this one. Of course, I’ve created new characters.

People often ask how I plot my book, and I will admit I don’t. I start with an idea for a mystery and create a lot of possibilities about who could have dunnit as I write. Isabel Long and I solve the case together. At this point, she and I have finally figured it out.

My aim is to make the climax true to the book and hopefully fool readers until the end. 

On Friday, I was fortunate to give a reading at the Arms Library in my village of Shelburne Falls. (Thanks Arms Library.) I was delighted that fans of the series showed up. They were pleased the seventh book is so close to the end. Well, so am I.

When I read a scene from Following the Lead about the Old Farts, those nosy old men who gather in the backroom of the Conwell General Store to gossip, I asked if there could be a similar situation around here. Ah, yes, I got several locations. Ha. I also got two great suggestions: to consider audiobooks and to approach another mystery writer about doing a collaboration. My lips are sealed about who that might be but I do plan to reach out. Another person also suggested having Isabel work on an active case. That’s something to consider.

I have perhaps a thousand words to go in Missing the Deadline. Then, I will print it and give the book a good hard look for holes or where a part needs tightening. I will listen to the book via the mechanical voice in the Read Aloud function of Word. I call him Frank, by the way. Then I will send it to my publisher to see if it meets their approval. I will certainly let you know about that.

By the way, I already have an idea for number eight.

LINK TO MY BOOKS: Here they are on Amazon — https://amzn.to/3W1JJfv

ABOUT THE PHOTO ABOVE: That’s a lovely chandelier at the Millicent Library in my hometown of Fairhaven Mass., which I visited recently. The library does carry my books.

Standard
Writing

A Different Way of Writing

I believe the change began around the time I left journalism. Perhaps it’s because I no longer have the distractions of working long hours as editor-in-chief reading what other people wrote plus handling my managerial duties. Perhaps it’s because I have more time. Most likely, it’s both.

Even before I left my job, I was having too much fun writing my Isabel Long Mystery Series to let that workload stop me. I got up at 5 a.m. to put down 500 words. The words flowed. The story flowed. From one chapter to the next until the end. First five in the series were published this way. It was a bit miraculous.

But how I write has changed and I am now realizing that as I’m into no. 7. I believe it began with Working the Beat, no. 5, as I was winding down from my job, and intensified with Following the Lead, no. 6.

I still aim for 500 words a day.  But before I begin, I look back to what I wrote the previous day to add, if needed, a word, sentence or paragraph in the one before. Essentially I am expanding — and in my mind improving — what I wrote recently before I move onto the new chapter or chapters. (I still write short ones.) Basically, I am not waiting until I reach the half-way point or the end to look for holes

I am also finding that as I move through the story, I think back whether something is missing earlier.

Making the Deadline, the tentative title for no. 7, involves a shooting possibly made to look like a suicide attempt. Isabel has been approached by a possible client, Cyrus Nilsson aka the Big Shot Poet. He’s made a good pitch, but she’s not sure, so she’s doing her initial research and interviews. 

The victim, a literary agent (frustrated authors will enjoy this), is now mentally incapacitated. I realized early this morning that as Isabel begins gathering her list of contacts, she should be checking the agency’s website. An earlier online check revealed no reports of a shooting in the local papers since most do not report suicides or attempts. There was a brief in an online magazine that the agent has stepped away from the business “for health reasons” but I realized I wanted more. What about the agency’s website? Bingo. Isabel needs to find that online.

And although I never plan ahead — Isabel’s next case starts as a fragment in my brain — I am mindful I do not want to have a series that is formulaic. I liken it to what my protagonist, Isabel, does. As the series moves on, she’s taking more complicated and unusual cases. There will always be new characters but I also want to keep the old ones fresh. I feel I owe it to my readers. And to myself. I don’t want to just call it in.

THE SACRED DOG: This novel is not part of my Isabel Long Mystery Series although the setting is similar. Basically, there’s bad blood between two men. The title comes from the name of a bar one of them owns. I will be telling you a whole lot more about it from now until its launch date Dec. 27 and beyond. Here’s the link to learn more: https://mybook.to/thesacreddog

FOLLOWING THE LEAD: Here’s the link for no. 6 in the Isabel Long Mystery Series: https://mybook.to/followingthelead

ABOUT THE PHOTO ABOVE: A mural spotted in Brattleboro, Vermont.

.

Standard
Isabel Long Mystery Series, Writing

Keeping a Series Going

Following the Lead, no. 6 in my Isabel Long Mystery Series, is in the works for a Nov. 3 release and available for pre-order. But before I started no. 7, I was inspired to take a pause and reread each book. I had the time and motivation to maintain the series’ consistency.

So, as I sat on the front porch, my alternate office these warm weather days, I went through each one, as a reader and not as the writer. Chasing the Case. Redneck’s Revenge. Checking the Traps. Killing the Story. Working the Beat.

Frankly, key to this series is Isabel Long who makes it easy for me to create and continue a series since she tells the story. A widow a year. A former long-time journalist who plans to put that profession’s transferable skills to good use investigating cold cases in the sticks where she lives. A part-time bartender. She’s not some sweet young thing. Smart, savvy, and a bit of a wise-ass, especially about her observations of hilltown life. I admit there’s a lot of me in this character, save the widow part.

As I have mentioned before there are characters I love too much to let go. Annette Waters aka Tough Cookie is one. She runs a junkyard, garage, and co-owner of a convenience store in the middle of nowhere called the Pit Stop. The Old Farts, those nosy geezers who meet in the backroom of the Conwell General Store, are others. Of course, there’s Maria, Isabel’s mother and sidekick, plus Jack, her love interest that owns the Rooster Bar. Bad boys Gary and Larry Beaumont. Marsha. Annette’s son, Abe. Isabel’s old boss, Lin Pierce. Dancin’ Dave Baxter. And Jim Hawthorne aka Thorny.

Some characters I create don’t appear in every book. Others are one and done.

But as I move onto the seventh, I’ve decided to draw up a chart of who’s who for each character, so I keep them and details about their backgrounds straight — also key moments for them.

The same will go for each town. Isabel lives in Conwell, which has one store, one bar, one school, one school and one stoplight. Dillard, from book four, is the only one with a railroad passing through it. Titus has a country fair. Caulfield has the Pit Stop and Baxter’s, a biker bar on the lake. There are rivers and landmarks.

I have to say rereading the books has been an enjoyable pastime. I even found myself laughing out loud at some of the parts. I liked the flow and interaction of characters. I am happy I wrote them. I am glad I worked with editor, Miriam Drori.

And since I had an idea for no. 7, I marked pages with pieces of paper for info I will want to include.

Okay, full disclosure: I also found a few errors, which in this digital age and print on demand can be changed — certainly part of my inspiration for the chart. A couple of readers mentioned after reading Checking the Traps, I had Isabel giggle too much. I believe I used that form of laughter to show Isabel was a little unsure as she finds later in life a new love in Jack and situation as a P.I. But I see what they mean. Isabel is tougher than that, and I stopped her giggling from book four on. 

But with only the fifth book to go, I couldn’t help myself. I’ve started no. 7, tentatively called Making a Deadline. On Friday, I sat down with my computer, and the story just began itself. Remember Cary Moore, the highway worker who wrote poetry good enough for a famous poet to steal? Well, thanks to that remorseful poet, Cyrus Nilsson aka the Big Shot Poet, his collection, “Country Boy,” is having a release party at the Penfield Town Hall. It’s standing room only for local folks. And that’s where Isabel — and her mother — find the next case. My lips are sealed for now.

PHOTO ABOVE: That’s the stack of books for the Isabel Long Mystery Series.

LINKS TO MY BOOKS: If you are reader, thank you very much. If you are tempted to be one, here’s the link to the series: https://www.amazon.com/Joan-Livingston/e/B01E1HKIDG

And if you are interested in pre-ordering Following the Lead — againthank you — here’s that link: https://mybook.to/followingthelead That’s for Kindle orders. Paperback will be released a little later.

Standard