Writing

A Different Way of Writing

I believe the change began around the time I left journalism. Perhaps it’s because I no longer have the distractions of working long hours as editor-in-chief reading what other people wrote plus handling my managerial duties. Perhaps it’s because I have more time. Most likely, it’s both.

Even before I left my job, I was having too much fun writing my Isabel Long Mystery Series to let that workload stop me. I got up at 5 a.m. to put down 500 words. The words flowed. The story flowed. From one chapter to the next until the end. First five in the series were published this way. It was a bit miraculous.

But how I write has changed and I am now realizing that as I’m into no. 7. I believe it began with Working the Beat, no. 5, as I was winding down from my job, and intensified with Following the Lead, no. 6.

I still aim for 500 words a day.  But before I begin, I look back to what I wrote the previous day to add, if needed, a word, sentence or paragraph in the one before. Essentially I am expanding — and in my mind improving — what I wrote recently before I move onto the new chapter or chapters. (I still write short ones.) Basically, I am not waiting until I reach the half-way point or the end to look for holes

I am also finding that as I move through the story, I think back whether something is missing earlier.

Making the Deadline, the tentative title for no. 7, involves a shooting possibly made to look like a suicide attempt. Isabel has been approached by a possible client, Cyrus Nilsson aka the Big Shot Poet. He’s made a good pitch, but she’s not sure, so she’s doing her initial research and interviews. 

The victim, a literary agent (frustrated authors will enjoy this), is now mentally incapacitated. I realized early this morning that as Isabel begins gathering her list of contacts, she should be checking the agency’s website. An earlier online check revealed no reports of a shooting in the local papers since most do not report suicides or attempts. There was a brief in an online magazine that the agent has stepped away from the business “for health reasons” but I realized I wanted more. What about the agency’s website? Bingo. Isabel needs to find that online.

And although I never plan ahead — Isabel’s next case starts as a fragment in my brain — I am mindful I do not want to have a series that is formulaic. I liken it to what my protagonist, Isabel, does. As the series moves on, she’s taking more complicated and unusual cases. There will always be new characters but I also want to keep the old ones fresh. I feel I owe it to my readers. And to myself. I don’t want to just call it in.

THE SACRED DOG: This novel is not part of my Isabel Long Mystery Series although the setting is similar. Basically, there’s bad blood between two men. The title comes from the name of a bar one of them owns. I will be telling you a whole lot more about it from now until its launch date Dec. 27 and beyond. Here’s the link to learn more: https://mybook.to/thesacreddog

FOLLOWING THE LEAD: Here’s the link for no. 6 in the Isabel Long Mystery Series: https://mybook.to/followingthelead

ABOUT THE PHOTO ABOVE: A mural spotted in Brattleboro, Vermont.

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Isabel Long Mystery Series, Writing

Keeping a Series Going

Following the Lead, no. 6 in my Isabel Long Mystery Series, is in the works for a Nov. 3 release and available for pre-order. But before I started no. 7, I was inspired to take a pause and reread each book. I had the time and motivation to maintain the series’ consistency.

So, as I sat on the front porch, my alternate office these warm weather days, I went through each one, as a reader and not as the writer. Chasing the Case. Redneck’s Revenge. Checking the Traps. Killing the Story. Working the Beat.

Frankly, key to this series is Isabel Long who makes it easy for me to create and continue a series since she tells the story. A widow a year. A former long-time journalist who plans to put that profession’s transferable skills to good use investigating cold cases in the sticks where she lives. A part-time bartender. She’s not some sweet young thing. Smart, savvy, and a bit of a wise-ass, especially about her observations of hilltown life. I admit there’s a lot of me in this character, save the widow part.

As I have mentioned before there are characters I love too much to let go. Annette Waters aka Tough Cookie is one. She runs a junkyard, garage, and co-owner of a convenience store in the middle of nowhere called the Pit Stop. The Old Farts, those nosy geezers who meet in the backroom of the Conwell General Store, are others. Of course, there’s Maria, Isabel’s mother and sidekick, plus Jack, her love interest that owns the Rooster Bar. Bad boys Gary and Larry Beaumont. Marsha. Annette’s son, Abe. Isabel’s old boss, Lin Pierce. Dancin’ Dave Baxter. And Jim Hawthorne aka Thorny.

Some characters I create don’t appear in every book. Others are one and done.

But as I move onto the seventh, I’ve decided to draw up a chart of who’s who for each character, so I keep them and details about their backgrounds straight — also key moments for them.

The same will go for each town. Isabel lives in Conwell, which has one store, one bar, one school, one school and one stoplight. Dillard, from book four, is the only one with a railroad passing through it. Titus has a country fair. Caulfield has the Pit Stop and Baxter’s, a biker bar on the lake. There are rivers and landmarks.

I have to say rereading the books has been an enjoyable pastime. I even found myself laughing out loud at some of the parts. I liked the flow and interaction of characters. I am happy I wrote them. I am glad I worked with editor, Miriam Drori.

And since I had an idea for no. 7, I marked pages with pieces of paper for info I will want to include.

Okay, full disclosure: I also found a few errors, which in this digital age and print on demand can be changed — certainly part of my inspiration for the chart. A couple of readers mentioned after reading Checking the Traps, I had Isabel giggle too much. I believe I used that form of laughter to show Isabel was a little unsure as she finds later in life a new love in Jack and situation as a P.I. But I see what they mean. Isabel is tougher than that, and I stopped her giggling from book four on. 

But with only the fifth book to go, I couldn’t help myself. I’ve started no. 7, tentatively called Making a Deadline. On Friday, I sat down with my computer, and the story just began itself. Remember Cary Moore, the highway worker who wrote poetry good enough for a famous poet to steal? Well, thanks to that remorseful poet, Cyrus Nilsson aka the Big Shot Poet, his collection, “Country Boy,” is having a release party at the Penfield Town Hall. It’s standing room only for local folks. And that’s where Isabel — and her mother — find the next case. My lips are sealed for now.

PHOTO ABOVE: That’s the stack of books for the Isabel Long Mystery Series.

LINKS TO MY BOOKS: If you are reader, thank you very much. If you are tempted to be one, here’s the link to the series: https://www.amazon.com/Joan-Livingston/e/B01E1HKIDG

And if you are interested in pre-ordering Following the Lead — againthank you — here’s that link: https://mybook.to/followingthelead That’s for Kindle orders. Paperback will be released a little later.

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Front Porch, Writing

Views on Our Front Porch

Given this heat, I’m spending a great deal of my time on our front porch. Alas, we don’t have air-conditioning, just two noisy fans that at least keep the warm air moving inside the house. So, out of necessity and comfort, it has become my new writing and research space as well as our living and dining room. Yes, I am writing this post out here. I have my first cup of coffee with me. I’m still in my night clothes, but it’s early, so nobody’s around except the cat and me.

I sincerely thank the people who built this bungalow in 1900 for creating a front porch that is large and situated so it channels the breezes from the tree-filled hill to the right of it. I’m glad the owners before us didn’t glass or screen it in.

Hank built its four comfy Adirondack chairs with wide enough arms to accommodate my laptop and piles of paper, so handy as I come to the end of editing my most recent book — more later. There are two rockers, tables, and houseplants that are summering outside. We have mellow chimes and bells collected over the years hanging from the light blue ceiling.

To the right of our property, ancient trees separate us from the village’s Catholic church. (During the height of COVID, they celebrated Mass in the parking lot so it was like we were there with the parishioners.)

Here, I have a good view of our neighbors’ homes, old like ours, and what the people who live there do and grow in their yards. Nothing outrageous I might add. I’d say we are lucky to have such good, friendly people living near us. We converse and even play cribbage or scrabble. The woman who lives to the left always shouts “Howdy, neighbor!” when she sees us. Way beyond this part of our village is a large wooded hill with a fire tower. We can watch the leaves change — greening in the spring and reddening in the fall.

Hank and I will sit out here talking or not talking, often with a hot or cold beverage, as we watch and listen to the birds, especially the cardinals and blue birds, but even they are staying put during this heat. The bugs surprisingly are minimal. There are small wild mammals and lots of cats. The other day Hank was startled from meditating — yes, it is a great spot for that — when a groundhog walked onto the porch. I heard the laughter when he was startled by the animal walking toward him although it eventually left.

Right now, our cat, Stella sits on the porch railing as she overlooks her realm. While I was editing my book Saturday, she came toward the porch, making a sound that means she is damn proud she has an animal in her mouth. She dumped the rather large mouse, close to death, near my footstool, played with it a bit, and then moments later proceeded to eat it. I could hear her teeth crunching bones. She left behind the head, heart and guts, which I had to clean up. Thanks a lot cat.

So here’s the part about the book. Following the Lead is no. 6 in my Isabel Long Mystery Series, which I began in February, is done, well, sort of. Yes, I reached the 75,000 word mark. The next step was to print the manuscript and get out a red flare, my weapon of choice. Every day last week, including a rainy one, I sat on the porch, marking up my manuscript before I loaded the edits into the computer.

I feel happy about what I accomplished with Following the Lead, so today I will used my computer’s read-aloud function to listen to my book. It’s part of the editing process. I bet the neighbors won’t mind.

ABOUT THE PHOTO ABOVE: That’s the manuscript for Following the Lead on my outstretched legs on our front porch. Yes, I do have long feet. You can read about them in this post from 2013 when we lived in Taos: https://www.joanlivingston.net/uncategorized/big-feet/

MY BOOKS: I’ve started rereading my Isabel Long Mystery Series from the beginning. I want to make sure I’m maintaining the same quality throughout, especially as I mentioned above that I am near the finish line for no. 6. I’m on the first, Chasing the Case and enjoying what I wrote, which frankly is a huge relief. Here’s the link to the my books, including the series: https://www.amazon.com/Joan-Livingston/e/B01E1HKIDG

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Writing

This Is Where I Write

I can write anywhere. I proved that when I was a journalist. But the kind of writing I do now — fiction — deserves its own dedicated space. Fortunately I have one in our home.

Recently, I reread Stephen King’s book On Writing in which he talks about his writing space, a desk shoved in the corner of a room beneath the eaves. He traded in his grand desk for something handmade and smaller.

Years ago, a friend gave me the book, The Writer’s Desk, which contained photos by Jill Krementz of where 56 famous authors wrote. Published in 1996, many of them are no longer with us although their writings certainly are such as Ralph Ellison, Katherine Anne Porter, and Kurt Vonnegut (Krementz’s husband). Many have spaces filled with paper. Most have windows. Their computers are antiques by our standards.

Each author offered a short essay about their writing space. Here’s one I can relate to from Amy Tan, “I surround myself with objects that carry with them a personal history — old books, bowls and boxes, splintering chairs and benches from imperial China.”

My space is situated in our second bedroom, where through the windows I can see our large deck, the neighbors’ homes, trees, and beyond, a high wooded hill with a fire tower on top. (It is certainly not the view of the Sangre de Cristo Mountains I saw from my office when we lived in Taos, New Mexico, but this is New England village life.)

Most of the time I don’t bother looking. My attention is on my computer screen.

I am fortunate to have furniture hand-built by Hank. Or I should say Hank-built. The desk is Shaker-style, when he was into that style of woodworking, with the top made from black walnut he salvaged from a job long ago — the homeowner told him to get rid of it. It has enough space for my laptop and on either side, the tansus Hank built with drawers and shelves to hold paper, writing and tech supplies. On the top of one is a collection of odds and ends I’ve collected or have been gifted over the years — from a hand-carved, painted Japanese couple I found in a library yard sale to interesting rocks, a bar of soap from Portugal, and pieces of driftwood. A clay vase resembling an Aztec relic, which I bought at TJ Maxx, strange by true, holds writing utensils. 

Hank also built a trashcan I use to recycle paper and a filing cabinet that holds my printer. Yes, I am lucky to be married to a skilled woodworker.

The office chair, which I bought for five bucks at the church’s annual tag sale next door, is kind of crappy. I have a nice oak office chair I got at the same sale last year, but I need to make some cushions.

On the walls I have a bulletin board (yes, built by Hank), photos, art and Native weavings.

I keep the space neat and don’t let the paper, coffee stains or crumbs get out of control.

No music except from the birds outside.

Sometimes I bring my computer onto the front porch of our bungalow or to the deck’s table to work. Usually it’s to catch up on email or do research. Sometimes, I will print a few chapters to mark up. But nothing too serious happens in either place.

When I sit down to write, say around 6 a.m. (a far more civilized time than 5 a.m. when I had a job), I feel this is my place. Here, I am at my best channeling whatever’s in my brain into the book I am writing. Right now, I am several thousand words away from finishing the sixth book in my Isabel Long Mystery Series. This is the exciting part where all the pieces fall together and fortunately, I have just the space to do it.

IMAGE ABOVE: That’s my writing desk.

MY BOOKS: Here’s the link to my books on Amazon and thanks for your interest: https://www.amazon.com/Joan-Livingston/e/B01E1HKIDG

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Isabel Long Mystery Series, Writing

When Inspiration Hits

It turns out, for me, at least, that can happen anytime. Yes, some ideas for my books come when I’m in the shower, riding in a car, or doing some physical chore that allows my brain to drift elsewhere. Sometimes it happens while I was on a walk, which happened yesterday, and talking with somebody, ditto. Let me tell you about it.

As you’ve probably know, I’m a seat-of-your-pants kind of writer. No outlines. No notes ahead of time. I get up early, although not as early as I did — 5 a.m. — when I had a job. I toast a half-bagel and pour myself a large mug of coffee, then log on to my computer. After checking with the news, I open the manuscript on my screen and pick up where I left off. My fingers fly as the words come to me. I don’t understand how it happens, but I welcome it.

But back to those inspiring moments, those are the ones that often help to fill in the blanks that will make the story better. Currently, I am in the midst of no. 6 in my Isabel Long Mystery Series — Following the Lead. I don’t want to give away too much, but Isabel’s old boss hired her for this case. He wants to know what happened to his sister, who was taken from the family’s yard when she was a baby fifty years ago. (It’s more complicated than that.) Lin believes he might have even met a woman who could have been his sister. How would he know? She had a distinctive facial feature that is hereditary, and on my walk, it came to me what it could be. While I am not divulging what it is, I had to rush home from my walk to make that addition.

Then, last night, I was at my son Zack’s  Floodwater Brewing for Comedy Night when I was approached by two local fans. One man reminded me that I had told his friend I planned to bump him off in my next book. While I don’t remember the moment, I believe I said it. His pal is a friendly guy who’s also a likable wiseass that doesn’t mind getting it dished back to him. My understanding is that he would be more than honored to get killed off in my next book.

As I sat there, enjoying the comedians’ jokes, my mind kept going back to that conversation. And then it came to me how I could do it. I hadn’t planned on bumping anyone off in this book, but I’ve had a change of heart about a character Isabel is trying to meet. And perhaps after last night’s conversation, he won’t be long for this world.

So, this morning, I jumped right into the book, made a few changes here and there before moving on with the story. Yes, they all work.

ABOUT THE PHOTO ABOVE: We happen to live not far from the tracks that freight trains take from the western part of the state to Boston. Long before we moved here, passenger trains used those tracks with a stop in our village — there are plans maybe to bring that back. The village also has the Shelburne Falls Trolley Museum, which contains lots of rail paraphernalia and short tracks for its trolley. This sign, located at the end of each, is rather fitting for this post.

LINK TO MY BOOKS: Here you go — Joan Livingston books on Amazon

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