Hilltown Postcards

Friday Night at Liston’s

Here’s another Hilltown Postcard I found stashed in my computer, in which I wrote about the great Friday nights we had at Liston’s in Worthington when it was owned by Steve and Diane Magargal. Steve also sat for an interview for this story I crafted many years ago. Liston’s, which was bought by a group of locals in 2021 and rebuilt, is still a popular place

It’s 9-something on a Friday night, and the band is into the first set at Liston’s. The tables are filled so Hank and I sit at the bar, a good idea because the band bought larger speakers since the last time we heard them. 

Owners Steve and Diane Magargal had the pool table pushed to the side and covered by plywood. Tables and chairs are stacked outside and the Budweiser Beer light with the Patriots insignia is unhooked from the ceiling. The musicians are backed against one wall, but even so, the dance floor is no bigger than a dining room in a split-level ranch.

The band is starting strong with danceable tunes but they have no takers. Billy is feeling extra-good tonight, clowning around with some solo dance moves on the floor and then doing a goofy stunt with a Patriot’s football helmet. His mother, Shirley, who lives in the senior housing down the road, is laughing on the stool beside mine. A man asks me why I’m laughing, too. Billy, I tell him.

When Hank’s ready, we’ll be on the floor nearly every number. He leads. I follow. Our style is sort of swing. Holding hands. Back and forth. Stepping together in some fancy footwork. Nice and loose. Spinning. Twirling. People often remark they like to watch us. 

We tried a lesson but that didn’t work. It’s hard to break down what we do naturally. We were also getting ticked off at each other. I’ve only danced with a few other men, including one heart-thumping Wanda Jackson number with a family friend. I’m here to have fun with Hank.

Liston’s dates back to 1933 when it was founded by Fred Liston. The bar used to have gas pumps. 

It’s only three miles from our house, a good thing because sometimes it’s easier to get to a bar than to get home from one. 

Steve, whose family goes way back in Worthington on both sides, remembers biking here as a boy, he and his buddies going swimming, then stopping for penny candy, Coke in the bottle, and the shuffleboard machine. At the time, Liston’s wasn’t the only bar in town. Frankie’s was in West Worthington, nothing more than a joint that served ice-cold beer. On Saturdays, Steve’s dad and his Uncle Bevo rounded up the neighbors’ garbage to haul to the dump, and when they stopped at Frankie’s, he and other kids played Wiffle ball outside. 

Steve says Frankie’s could be a rough place. Hell’s Angels robbed it one time, and the bikers shot the dog. When the place burned to the ground, the owner didn’t bother rebuilding.

Later, when Steve was old enough, it was the Drummers Club on Friday nights after softball. It was Liston’s on Sunday nights after pick-up basketball in Town Hall. The bar didn’t have a large selection. 

“But the beer was ice cold and Irene had the TV set on,” he says. 

Liston’s wasn’t a late-night place then. Irene, the owner, discouraged it. Two bad accidents involving patrons a few years apart shook her up. Now, Steve and Diane own the place. 

Hank and I have moved to a booth. The cold air leaches through the wooden walls although hay bales wrap the outside. The five TVs, including the one above the band, are tuned to a basketball game with the sound off. In the summer, it’s usually a baseball game. Red Sox and Patriots fans rule at Liston’s. (Steve and Diane organize a couple of bus trips to Fenway each summer.) Sometimes it’s NASCAR or a rodeo. One night, hunters were killing deer on the screen.

Admittedly, Liston’s and other watering holes have been an inspiration for my adult fiction, which have a bar in every book.

When Liston’s doesn’t have a band and we still feel like dancing we’ll go elsewhere, usually the Ashfield Lake House, where you dance between two rows of tables, or the Home Club in Hinsdale, where they serve Bud in cans, or to a friendly biker bar in Easthampton. We rarely know a soul even though they’re not that far from Liston’s, our place of preference. Here, we know most everyone. Many have worked with Hank. Others just live in town or one nearby. Some are kids who went to school with our kids but haven’t left town.

I’ve seen two or three generations here at the same time or so many members of one family drinking you’d think they’re having a reunion. One kid, who sipped sodas while his pop drank beer, got a birthday cake on his twenty-first birthday. 

There’ll always be a little barroom hanky-panky, but people have to be on good behavior. No swearing. No fighting. No acting up so others feel uncomfortable. Or they get tossed for several months, long enough to realize how much they miss the place. If the mess-up happens in winter Steve tells the offender to see him when the grass is green. If it happens in summer? “I tell them to come see me at Christmas.” But some don’t learn their lesson. Six people in town are permanently banned from Liston’s, and I know all six. Unpredictable sorts.

I get up to use the women’s room. The women’s room is clean and smells good, because women won’t put up with anything funky. The door is located next to the bar, so guys lining up to get drinks have to step aside to let you in. The women’s room is also close to the part of the bar where the band plays, and if they’re loud, it feels as if they’re in there with you.

By the band’s second set, the dancers are on their feet. The dinner crowd is gone, and those who remain are here for the music. The parking lot this time of year is usually packed with snowmobiles but we haven’t had enough snow this winter so the trails in the woods are thin. 

The band plays something from the Rolling Stones, then Johnny Cash, and those in a dancing mood are loving it. We’ve found our feet and are on the floor with them. The floorboards are smooth from ground-in dirt and drinks.

The man who sells us firewood, a lean guy who wears a ball cap pulled down on his head, holds his arms tight and does a nice shuffle. So does his buddy, Kyle, who later sings with the band. Another Kyle, a sheep farmer, wraps his big arms around a woman in a tender way like he’s carrying her. Gerry, who is sometimes called Freddy, is jumping around like he’s stomping out brushfires. A young girl who grew up with one of our sons, of age to drink, shows off a trick she can do with her cowboy hat.

Most bands play cover tunes. A few make up their own. Mostly it’s some blues, some country, and a lot of rock and roll. Charles Neville of the Neville Brothers, who lived in a nearby town, has played sax with local bands a couple of times, including a benefit Steve and Diane held for New Orleans musicians displaced by the hurricanes.

Bands can be on one night and flat the next. They get better or worse or call it quits. You know a band’s in trouble when the lead singer goes to the bar for a beer in the middle of a song. Or they’re just too weird. 

One night, Steve hired a two-man band as a favor. The guitarist, a small man, dressed like he was the reincarnation of Stevie Ray Vaughn with a satin shirt and a black, flat-brimmed, Billy Jack-style cowboy hat. He tried playing like Stevie while the drummer wailed away with his sticks. 

Hard-working guys. But no one left their seats. 

You could only watch.

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Isabel Long Mystery Series

Missing the Deadline now in paperback

It’s a fact of my writing life that most of my book sales are digital. I’ve grown to accept that because it means attracting — and hopefully keeping — readers far from where I live. But I have great news for those who prefer a book in hand. Missing the Deadline, no. seven in my Isabel Long Mystery Series, is now available in that format.

So I will jump right to it, here is the link to Missing the Deadline.

As my publisher, darkstroke books, prefers, the Kindle version is released first, typically three months before the paperback is released. Frankly, I find the release of both an exciting development.

So, what’s this book about?

As it has happened before, Isabel finds her next case in an unlikely place — at a poetry reading. Cyrus Nilsson, aka the Big Shot Poet, is trying to make amends to the late Cary Moore, who you might remember was a highway worker who wrote poetry good enough for him to steal. He was even a suspect in that case, Isabel’s third. But the reading is to promote Cary’s book, ‘Country Boy,’ which Cyrus worked hard to get published.

Cyrus asks Isabel about taking on a case after the event, which was SRO at Penfield Town Hall. So, what’s this one about? Cyrus’s first literary agent, Gerald Danielson, was found shot in the head and near death outside his home three years ago.

Gerald survived but is not the same hotshot literary agent who moved from New York City to the village of Meadows Falls. Police ruled a failed attempt at suicide. But Cyrus has serious doubts. 

And as Isabel pursues this case, she quickly accumulates a list of possible suspects, such as a vindictive ex-wife, a jilted local writer, and even an apparently devoted sister who lives with him. 

Isabel also delves into the often frustrating world of publishing, which includes a trip to a literary conference in Vermont. She also explores a part of the hilltowns that is unfamiliar to her.

(By the way, Maria, Isabel’s mother and “Watson,” is glad to have a case once again. She says it’s boring without one.)

The books in my Isabel Long Mystery Series can stand alone, so you don’t need to read the first Chasing the Case. But it’s always my hope is that I will hook you into reading the rest.

PS I am half-way through Finding the Source, no. 8. 

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Hilltown Postcards

Following a Mislead about Mastodon Bones

After being the Worthington correspondent for years, I took on two more hilltowns: Chesterfield and Cummington. These days predated the social media we have now, so that required bona fide legwork. Fridays was my day to call sources in each town, which included officials, school secretaries, and people generally plugged in to their community. I also drove around, making a couple of stops at town halls and such. I called it “checking the traps.” When I became an editor that’s what I advised the reporters to do. It’s also the title for one of my Isabel Long Mysteries.

One of favorite sources was Ron Berenson, who used to co-own the Old Creamery Grocery in Cummington, population less than 800. Ron, who was a transplant from New Jersey, was a lawyer and had worked in PR, so he had a keen interest in news. He knew how to chat up the customers. He tipped me to so many stories and only misled me once, but it would have been a great one if it’d been true.

Ron called to say two archeologists from MIT had stopped at the store to say mastodon bones had been found in the Swift River section of Cummington, a discovery of immense proportions. “I wanted you to get the story before the New York Times and the Globe,” my loyal source told me.

So I drove to Swift River, following Ron’s directions. I parked the car at the end of a dirt road just as a state wildlife truck was pulling out, which I took as a good clue.

But as I hiked in the snowy woods to a clearing, I didn’t find a crew of scientists or equipment or even footprints. All I saw was the paw prints of bear, massive ones, but I kept searching for an hour or so, trying different roads until I returned to the store.

Ron was incredulous that I didn’t find anything, the men had been so serious, but then a customer overhearing our conversation started laughing. The night before on the TV show, “Northern Exposure,” two characters played the same trick on the locals. Now the laugh was on us.

I used to tease Ron about the story, but I didn’t hold it against him. He and I had been duped together.

But too bad, it would have been a great story it were true.

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The Twin Jinn

Free Magic from The Twin Jinn

I am not a magician and, sadly, I don’t have magical powers although I wish I did. So, instead I created magical characters in a book for middle-grade readers — The Twin Jinn at Happy Jack’s Carnival of Mysteries. And to spread that magic to young readers, I am making the Kindle version free for two days March 2 and 3.

My own childhood was steeped in imaginative play. This was out of necessity as I lived a rather sheltered life. My parents, the children of immigrants, didn’t get the concept that we could play at a friend’s house. That’s what family is for. And so that’s what happened.

My chief playmate was my sister, Christine. One of us would think up a fantasy to play with the invitation: “Let’s pretend …” I don’t remember all of the scenarios we or our dolls acted, but that doesn’t matter. What I do remember is that during those hours we spent together, we were delightfully in another world.

Another outlet was reading. I spent hours and hours — in the summer staying up late — lost in those words.

And when I became a mother, I enjoyed watching my children do the same.

Now the words “let’s pretend” is the motivation behind my writing fiction. I sit in front of my laptop and let my imagination take over whether it’s written for adult or young readers. For this book, I circled back to those times in the backyard when my sister and I played, or upstairs in my bedroom reading a book I couldn’t put down.

First, I’ve always been fascinated by genies. Yes, there’s that Aladdin story. But my genies or jinn, as I prefer to call them, don’t live in lamps. In the first book — The Twin Jinn at Happy Jack’s Carnival of Mysteries — they live and have a magic act in a traveling carnival. Of course, their magic is just one of their many powers such as being invisible, flying, casting spells, oh, the list goes on. 

The twins are Jute and Fina, brother and sister who are 11 by human age. They are sweet but mischievous and like so many siblings, competitive. Their parents, Jeffer and Mira, are protective, but that’s because they tricked their evil master into letting them go. Yes, he’s trying to find them.

Pretending with The Jinn family is so much fun that I completed two more books, and a third is halfway done. I plan to continue publishing them, because I want to inspire young readers and anyone else who loves magical realism.

Currently, I am recording The Twin Jinn at Happy Jack’s Carnival of Mysteries for an audiobook at my son, Nate’s Mudroom Sound Studio. By the way, my son, Ezra, created the illustration for the cover, which I believe captures the playfulness of the characters. Look for The Twin Jinn and the Alchemy Machine, second in the series, soon.

Curious? Here’s the link: The Twin Jinn at Happy Jack’s Carnival of Mysteries

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Hilltown Postcards

Ernie Nugent — One of the Good Guys

I wrote this piece about Ernie Nugent after he left us eight years ago. Here it is slightly revised for this Hilltown Postcard.

We knew Ernie and his large, extended family when we lived in Worthington, a hilltown in Western Massachusetts. He worked on the town’s three-man highway crew for over three decades, including as its road boss before he retired.

Ernie and his wife, Deen, who have two daughters, lived a short distance from us and across the road from a brother named Bert. Brothers with those two names has always been a source of amusement.

Our son, Nate, knew him best. Ernie hayed the farm across the road in the Ringville section, where we lived first in that town. He also raised pigs there. They were good buddies.

Through Ernie, Nate got to know the part of country living that was close to the earth — and all about machinery. When he was a teenager, Nate was Ernie’s extra hand, driving a tractor or farm truck. I recall looking out the kitchen window when I was washing dishes to see Ernie take down a hog with one shot, and then Nate helping him get it ready for butchering.

Nate and Ernie had a special bond. He often joined Ernie when he plowed the roads, riding for hours in the cab of the truck. Ernie would stop the truck at the end of our driveway for Nate to join him.

One year, Ernie rigged up a plow to an old rider mower so Nate could clear our driveway. (I guess it stuck. Nate works as a union heavy equipment operator.)

I knew Ernie from when I was a reporter, covering the hilltowns. I’d call the highway departments for an update whenever we had a bad winter storm, or in the midst of mud season or a road project.

Ernie wasn’t a talkative guy. I recall covering one Worthington Town Meeting, where residents were voting on the budget and other items. On the agenda was the purchase of a new dump truck for the highway department.

A smart-alecky newcomer got up and wanted a justification for the purchase. So the moderator asked Ernie, who was road boss, whether the town needed to buy a new highway truck. Ernie stood, said “yup” and sat down. And, after a good laugh, the voters passed it.

Here’s to Ernie Nugent who lived and worked well. He was the salt of the earth.

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