Checking the Traps, Isabel Long Mystery Series

When You Gotta Write Poetry

For the next few weeks, I will be running posts that appeared in blogs by my fellow authors and others. Here is one about writing poems for my latest mystery, Checking the Traps. Not my typical form of expression, but my victim and a suspect write poetry. So, I had to. This post appeared in author Angela Wren’s blog: http://www.angelawren.co.uk/

Like what you read? Here’s how to buy the book on Amazon: https://mybook.to/checkingthetraps

I wrote poetry before I could write prose. I began in college, where I fancied myself a poet, and a few years afterward until real life, including having six kids and a 25-year writer’s block, took over. When I did resume writing, I turned to prose, that is, novels and short stories. I no longer wrote poetry. Ah, but that changed when I wrote the third book in my Isabel Long Mystery Series.

In Checking the Traps, Isabel is hired by a local bad boy drug dealer, Gary Beaumont, to find out how his half-brother died. Did Cary Moore jump from a bridge known for suicides or was he pushed? But what fires up Isabel’s interest in this case is that Cary drove heavy equipment by day and wrote poetry at night.

Gary lends Isabel the notebooks in which his half-brother transcribed all of his poems. As Isabel discovers, Cary’s poetry in the early books are really juvenile. But he gets better, well, enough that a famous poet uses the poems for his own in what turns out to be an award-winning book. (Yes, the poet is a suspect in the man’s death.)

Isabel also finds poetry that Cary wrote as gifts for other people.

So, that meant I had to write poetry, too, for this book.

Actually I found writing poetry wasn’t hard at all. I was able to channel that inner poet to come up with several complete poems plus lines from others. I tried to imagine what a man who had never gone farther than 100 miles from his country home would write about and how he would write it. I figured on a plain but sturdy style of writing. There would have lots of imagery from nature. The poems would not be long.

Poetry, including a reading where Isabel corners the famous poet, figures big in this book.

Did the experience inspire me to write more poetry? I will be honest and say no. But I enjoyed letting one of my characters do it instead.

Here’s an excerpt from Checking the Traps. Jack is the owner of the Rooster Bar, where Isabel works part-time. He’s also her love interest in this series.

Jack motions me to come behind the counter.

“I’ve got somethin’ to show you,” he says. “I forgot all about it. Here you go.”

Jack hands me a paper. I immediately recognize Cary Moore’s handwriting. It’s a poem he called “The Barman.” It’s a lot more sophisticated than his second book of poetry, aptly named Book Deuce, which I read this afternoon after Ma and I returned from our field trip and before I got myself ready for work. Cary got heavy into rhyming with Book Deuce. Sometimes it works, a lot of the time it doesn’t. They remind me of the poems I read when I was a kid in elementary school. It appears Cary read them, too.

But here’s “The Barman.”

What’ll it be tonight, boys?

The barman asks each one.

Give me some hope in a bottle.

Give me courage.

Give me love.

The barman laughs.

Sorry, boys, it’s only beer.

He even signed the bottom.

“I like it a lot,” I tell Jack. “You should frame it and hang it behind the bar. Want me to do that for you?”

Jack’s face squeezes into an amused squint.

“Really, Isabel?”

“Yeah, really, Jack. Let me put it in my bag.”

 

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Isabel Long Series, Redneck's Revenge

Meet Isabel Long P.I.

Isabel Long is the star of my mystery series set in the sticks of Western Massachusetts. Actually, I name the series, which includes Chasing the Case and Redneck’s Revenge, after her. She’s a long-time journalist who tries her hand at being a private investigator and does well by it. But who the heck is she?

First off, when I decided to write a mystery, I wanted a protagonist who is a woman. She wasn’t going to be a sweet, young thing. She was going to be a woman with some good miles on her — what the French call une femme d’un certain age. Isabel has three grown kids and a granddaughter. She’s also a recent widow. As for looks, she’s attractive enough to gain the attention of older men.

And Isabel had a long career as a journalist — starting as a reporter covering the dinky hilltown where she lives to being the managing editor of a newspaper until that ended when it went corporate. When the new owner said everybody had to reapply for their job. Isabel said, “To hell with that.”

Yeah, Isabel is a bit on the sassy side. She doesn’t take crap from anybody. She’s also savvy, which made her a good journalist. Now it will come in handy as a private investigator.

Isabel lives in a hilltown in rural Western Massachusetts. She and her late husband, Sam moved there from the city to make a better life for their children. Conwell, population a thousand, is the kind of place where most people know each other for better or worse. Isabel probably knows them even better because her first job as reporter was covering it. In fact her first case, featured in Chasing the Case, was also her first big story as a rookie reporter. That involved the disappearance of Adela Collins 28 years earlier.

Other occupational benefits: Keeping an open mind and being able to talk with just about anybody. Oh, yeah, being relentless until she gets her story — or the culprit.

Isabel is also of Portuguese heritage, or as she says, “Yes, Long is my married name. Ferreira is the name I got at birth. I’m a hundred percent Portuguese and proud that I’ve invaded a Yankee stronghold in the hilltowns.”

Isabel’s also ready to reinvent herself — as a private investigator and as a single woman. The second part means after a year of properly grieving her late husband whom she loved, she’s ready for relationship with another man — and she finds it. Her relationship with Jack, owner of the Rooster Bar, has its ups and a big down. But I’m not going to spoil what happens for readers.

So, how much of me is in Isabel? I’d like to say the sassy and savvy part, especially since I wrote these books in first person. I, too, was a journalist who started in the hilltowns of Western Massachusetts, where I’ve lived twice. But unlike Isabel, I didn’t become a P.I. Instead I write about one, and that’s fine with me.

Here’s an excerpt from the first chapter in Redneck’s Revenge. Isabel is meeting a licensed P.I. to see if he will take her on as an associate. The cops told her she had to work for one for three years before she could go solo.

I smile and extend my hand to Franklin Pierce. I feel a bit self-conscious my skin is colder and rougher than his. I’m curious why someone would name their kid after one of the worst presidents so far although I can think of a few other contenders. But now isn’t the time to bring up that observation. I need to win this man over. So, what will it be: Franklin or Frank although I seriously doubt Frankie. I play it safe.

“Mr. Pierce, hello.”

“Please call me Lin. And you? Is it Isabel or Izzie? Which do you prefer?”

I shake my head.

“Never Izzie,” I say.

“I’ll remember that.”

“Okay, Lin. How do you spell that?”

“L-I-N.”

Gotcha. I follow him inside. For a man who makes money investigating private cases, this office is a bit of a joke, or maybe he doesn’t make much. Someone could easily move in one of the cheapo dollar stores or a salon where they fix blue hair for old ladies. A cracked vinyl couch is set near the entrance along with a coffee table stacked with magazines I bet aren’t current. The only art on the walls are a print of Norman Rockwell’s “Runaway,” the one in which a cop talks to a boy inside what looks like a diner, and framed newspaper pages that are yellow and faded. We’re moving too fast toward the back of the office for me to read what they say. A desk piled high with papers but no booze bottles or ashtrays, I’m relieved not to see, is semi-hidden by a partition along with two chairs for guests, a file cabinet, and beyond them a door I presume leads to a bathroom. I smell pizza through the walls from the joint next door.

Lin places his cowboy hat on the desktop and throws his long canvas coat over the back of his chair before he sits. He wears a dark suit, a bit frayed in the cuffs. His striped tie has a stain, perhaps coffee or a drop of grease. He shaved this morning. And he’s almost due for a haircut. Yes, my observation skills are getting sharper. I will need them if I continue to investigate cases.

I take Lin’s cue and choose one of the chairs opposite him. He studies me as I unbutton my coat and slide it away. I came dressed for this interview in a blouse and skirt. I pulled my silver hair back into a twist, now that it’s long enough. I haven’t dressed this fancy since I got canned from my job as the managing editor of the Daily Star. Now that I’m not sitting at a desk all day, I’ve lost some weight, a welcome development. My cheekbones are even more pronounced.

“Nice work on the Adela Collins case,” Lin says. “I was impressed. It’s tough to solve a missing person’s case after so many years. How many was it?”

“Twenty-eight.”

He repeats the number.

“Yup, that’s a long time.”

REDNECK’S REVENGE: The second in the Isabel Long mystery series has a formal launch Sept. 26. You can buy paperbacks now and pre-order the Kindle version, which will pop into your device that day. Here’s the link: mybook.to/rednecksrevenge

By the way both versions are available for its predecessor Chasing the Case: mybook.to/chasingthecase

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