Character Traits

Character Traits: Meet Lily West of Bleak Waters

In this next installment of the Character Traits series, Lily West, a creation of author Gary Kruse, is featured. Gary describes himself as a writer of thriller and horror fiction about people on the edge of society struggling to discover themselves. That includes Lily West. Now, I will let Gary take over on this post.

Lily West is the main character in my new supernatural mystery, Bleak Waters. She’s in her early 20’s and when we meet her in the book, she’s standing on the water’s edge of Hickling Broad in the middle of winter, struggling to process the suicide of her father the previous summer. 

As a child, Lily used to get severe migraines which bought on ghostly visions, but these faded after a vicious intervention from her mother, Hetty. 

She lives and works in the Whippet, a fictional pub in Hickling village, and the villagers are like an extended family to her, and some of them stepped in to help after her father’s death. It’s a close-knit, rural community.

But like all villages, it has its secrets, and one secret in particular will shatter everything Lily believes. 

How did you come up with the character and his/her name?

Lily was one of the first characters I came up with for the book. I was on holiday in Hickling with my sons in spring 2019, and as with Badlands, the more time I spent in the area, the more my writer’s brain started whirring and I started getting ideas for a new story. 

In the first serious brain-storming session, I decided that the MC would be a barmaid in the village pub as she would be able to naturally interact with all the characters and also face conflict with them when she started asking questions about the central mystery. 

Initially, I struggled to come up with her name. I brainstormed a list of about thirty names, and as I was making notes and developing the character, Lily was the name that stuck.

Tell us more about Bleak Waters.

It’s part ghost-story, part mystery, part crime novel. A stranger, Theo Sinclair, arrives in the village of Hickling in the dead of winter asking questions about the disappearance of a young woman called Claire Baldwin twenty-five years earlier. At first Lily doesn’t trust Theo and won’t help him. She’s already got enough on her plate dealing with the questions raised by her father’s suicide, questions that make her wonder how well she really knew her Dad.

Theo’s arrival also seems to stir Lily’s long-buried curse of seeing the dead as the night after his arrival, she experiences the first twinges of a migraine and senses a shadowy presence haunting her room. 

Theo persists in asking Lily for help, and as Lily learns more about him and why he’s come to Hickling, gradually her reluctance breaks down. She starts to help him and as she and Theo dig deeper into Claire’s disappearance, the ghostly visions grow stronger, and Lily finds disturbing links between her father and Claire.

Already harbouring suspicions about her father after his suicide, she starts to realise that finding the truth may destroy everything she loves and holds dear, and force her to finally confront the ghosts that haunt her. 

Was a real person your inspiration for this character?

No, Lily, like all of my characters, is a mix of different influences and inspirations, not one real person. When I look back at the first notes, as I say, the character came from a need to have someone who could act as a go-between for the stranger arriving in the village, and the villagers themselves. 

The Whippet, the Pub in the book, was inspired by a real Pub in the village of Hickling called the Greyhound, and what struck me about the Greyhound was how it seemed to be a hub of village life so that naturally suggested making the main character someone who worked in the pub.

From there, Lily’s character evolved first through the notes and planning, then through the drafts. And naturally, the main character has to be the one who hurts the most, who suffers the most, and by the end of Bleak Waters, Lily has certainly done that.

Is your character likable or not?

According to the beta readers, yes! It’s interesting because when you read the reviews of my first book, Badlands, a lot of people felt that Willow was a tough character to like, but that characterisation came from her harsh back-story. 

When we meet Lily, she’s not world weary in the way that Willow was. She’s haunted, and guilt-stricken yes, but she’s still living at home, in her cozy village with people she loves, and she’s got a big heart. She cares and in some ways she’s an emotional open book, whereas Willow is more guarded and more defensive. But none of that was deliberate for either character. It all evolved naturally from the respective story’s needs.

Extract from Bleak Waters

Lily threw her phone down on the bed. Eyes gritty, the need for sleep clouding her thoughts now, she stripped and slipped on a pair of thick woollen pyjamas. She cleaned her teeth, peed, washed her hands then slapped out the light. In the dark, she crossed to the bed, yawned, and stretched wide. As she lowered her arms, a sharp pain stabbed over her brow. 

She winced, pressed her fingertips against the bone and rubbed the skin. The pain made her stomach squirm. It bought back memories of the migraines that had plagued her early adolescence. 

Back then, the migraines had gotten so bad they left her speaking in tongues and seeing visions, seeing people that were not, no, could not be there. Still, she had been migraine free for almost ten years now. This was probably just tiredness. Lowering her fingers, she turned to draw back her bedclothes. 

The pain flared. A shadow moved in the corner of her eye. Vague and blurry. Heading for the door behind her. Sucking a gasp, she spun to get a better look. Saw nothing but the door locked and latched. 

The pain faded but didn’t vanish completely. She blinked in the dark but saw nothing now. 

Skin crawling, but convincing herself she was overreacting, she turned back to the bed. As she reached for covers again, she sensed a movement in the dark behind her. And a sound. Like a footstep on the laminate floor. 

She froze. The pain in her brow throbbed. A scent lingered in the air, faint, and ephemeral. It smelt like the ghost of a memory. It was the smell of sweat and sun-cream. Fists clenched tight, Lily turned and peered into the darkness behind her. 

“Dad?” she whispered. 

Her voice broke the silence. The pain disappeared and the feint scent vanished. Lily stood in the dark, heart trembling, breathing quickly, two questions consuming her thoughts. 

Had she imagined that sense of movement, the footstep, the ghostly smell? Or were the migraines, and the visions that came with them, starting again? 

GARY KRUSE

Authors Bio

Gary Kruse is a writer of thriller and horror fiction about people on the edge of society struggling to find who they are, where they come from and where they’re going. He has won and been shortlisted for several short story competitions and his debut novel, Badlands is an Amazon bestseller. 

Bleak Waters is his second novel. 

Links

Bleak Waters: https://mybook.to/bleakwaters

Author Website: http://garykruse.co.uk/

Twitter: www.twitter.com/@garykruseauthor

Instagram: www.instagram.com/@gowerkrusewrites

Facebook: www.facebook.com/GaryKruseWriter

TikTok: https://www.tiktok.com/@garykruseauthor?_t=8dDyqMKxYvS&_r=1

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Character Traits

Character Traits: Meet Adrienne Harris-Morley

In this second week of my Character Traits Series, author Miriam Drori gives us insights into Adrienne Harris-Morley, who she created for her novel Cultivating a Fuji. Miriam, who lives in Israel, has been the editor of my mystery series — a delightful experience. But let me step aside and let her tell you about the character she created.

Adrienne Harris-Morley has a lot going on in her life, despite being only a minor character in my novel, Cultivating a Fuji. She has two young children, and a husband who’s never around to help with childcare. When she has to work on a Saturday, as a clerk at London’s passport office, she farms the kids off at her begrudging sister’s place.

Cultivating a Fuji is the poignant, humorous and uplifting story of Martin, a guy who doesn’t fit into society.

When writing this tale, I made the decision to give backstories to all the characters who come into contact with Martin. If I hadn’t, they would probably have been seen as callous or uncaring. In reality, most people are tied up in their own problems and don’t have the emotional space to better understand someone who strikes them as weird.

Because Adrienne has come up in the world, I decided she needed a double-barrelled name. I tried out a few until I found one that chimed with me.

Martin, who’s a brilliant computer programmer but has no social skills, is sent to represent his company in Japan, meeting Adrienne when he needs an emergency passport. No one in the company expects him to succeed in selling their product, but he does, helped by the strangeness of Japan. What happens when he returns home to England is another matter.

The character of Adrienne is completely made up and not based on any real person. The reviews for the novel don’t include this minor character, but I would imagine readers would sympathise with all her problems, especially if they’ve also had to juggle work and children. They would understand that encountering Martin would add to her heavy load.

Here’s an extract from the only chapter in which Adrienne appears. The year is 1977:

She’d only just sat down at her desk and adjusted her glasses when her first customer approached. A young man, mid-twenties, short brown hair, carrying a royal blue rucksack. He looked quite normal and respectable apart from the fact that he was staring at the floor and his cheeks were rather flushed. Had he been running or drinking, or was he always like that? He sounded a bit out of breath when he finally spoke, but he was the first in a long queue, so he couldn’t have been running.

“Yes?”

“I… Is this the right place?”

“That depends what you’re here for.”

“Oh.”

“What are you here for?”

“I want to get an emergency passport.”

“Yes, this is the place. Sit down, please.”

Adrienne indicated the chair and the young man sat on the edge and glanced behind him, almost as if he were planning a quick getaway if things went wrong. What a shifty character. Just what she didn’t need this morning.

“Why do you need an emergency passport?”

“I… have to go abroad. They said I needed a passport.”

“Yes, of course you do. But why an emergency passport? Why do you need it in a hurry?” Prudence told her that she had to clarify everything carefully for this man. Maybe he didn’t understand the word emergency. Maybe he simply wanted to renew his passport.

“I… I have to go instead of Kevin… instead of someone else because he can’t go.”

“Where do you have to go?”

“Japan.”

Prudence whispered in her ear again and helped her to form her next question. “What do you have to do in Japan?” Clearly, she had to take this slowly and ask simple questions using words of one syllable. Unfortunately, her patience was waning at an alarming rate.

“Give a demonstration.”

“That’s a long word for you,” was on the tip of Adrienne’s tongue. Instead, she said, “What sort of demonstration?”

“A demonstration of our system.”

“What sort of system?”

“A computer system.”

“What does this computer system do?”

“It… well…” 

Adrienne wriggled in her seat. Below the table she tried to get more comfortable by moving her legs apart. But then she felt the crotch of her tights lower than it should have been, and put her legs back together. And this was supposed to be progress. What was wrong with wearing stockings?

She was beginning to wonder whether this shady character was making it all up on the spot. She certainly found it hard to believe he could demonstrate a vacuum cleaner, let alone some computer system. In her mind’s eye, she saw this man on her doorstep with a giant vacuum cleaner beside him and the flex tied all round him. When she opened the door, he’d say, “I’ve come to… come to… I need to go in.” And he’d move forwards, trip over the flex, and fall headlong into her hallway.

She turned to the real version, still struggling to answer her question. “Yes?”

Bio

MIRIAM DRORI

Miriam Drori was born and brought up in London and now lives with her husband and one of three grown up children in Jerusalem.

With a degree in Maths and following careers in computer programming and technical writing, Miriam has been writing creatively since 2004. After some success with short stories, which she continues to write and which have appeared in anthologies, Miriam turned her hand to longer fictional works, publishing a romance and a historical novella, co-written with another author.

Social anxiety features in Miriam’s latest publications. Social Anxiety Revealed is a non-fiction guide that explores this common but little-known disorder from multiple points of view. The book has been highly recommended by ‘sufferers’ as well as professionals in this field. Cultivating a Fuji is the story of a fictional character who battles against social anxiety before learning to make friends with it. Style and the Solitary, a crime novel, asks an important question: what happens when a suspect can’t stick up for himself?

When not writing, Miriam enjoys reading, hiking, dancing and touring.

Links to books and social media

Miriam Drori can be found on FacebookTwitterGoodreadsPinterestInstagramBookbubWattpadYouTube and on her website/blog.

Her books are available at: Social Anxiety RevealedCultivating a Fuji and Style and the Solitary.

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The Sacred Dog

My Next Bad Guy: Al Kitchen

I will admit that I am fond of the bad characters I create. Actually, I see them as flawed people who do reckless and sometimes hurtful things, and because of that they become major players in my books. That’s the case for Al Kitchen, one of the protagonists in my next book, The Sacred Dog, which is out Dec. 27.

The Sacred Dog takes place in my favorite go-to setting, that is, the hill towns of Western Massachusetts, where I’ve lived a good portion of my life, twice. It’s a thriller centered on bad blood between two men, Al Kitchen and Frank Hooker. Frank owns The Sacred Dog, the only bar in this dinky town that caters to the locals. Frank blames Al for the death of his brother, Wes. Al was in the crash that killed his best buddy, but not at the wheel — a fact Frank won’t accept. Let me say nothing good is going to come from this feud.

Al didn’t have it easy growing up. He lost both parents when he was young and was brought up by his grandparents. Pops was a drunk and an abuser. The one good thing he did for Al was to teach him how to hit a baseball, but even that didn’t work out for him. His grandmother, who he calls Ma, is Al’s ally. When Pops got violent, she would give Al a look that would send him hiding in one of the junked cars his grandfather had stashed in their backyard. 

Other than his grandmother, the only person who meant anything to Al was Wes. If there was trouble in town, the two of them were in it together. Now Al goes it alone.

Al’s not welcome at The Dog, as the locals call it, but after his grandmother interceded, he gets to have two beers. Frank figures it’s better to keep his eye on somebody he doesn’t trust or like. Al, of course, resents it. 

The resentment builds, especially after the arrival of Frank’s ex-wife. There’s a dark secret between Al and Verona that has the potential to create a larger and perhaps a violent rift between the two men.

Is the character of Al Kitchen based on anyone real? No. Like all of the others, he came from somewhere in my brain. That’s true of the other so-called bad guys. Sometimes I let them redeem themselves like the Beaumont brothers in my Isabel Long Mystery Series. Other times I let them just go to hell. I’ll let you decide about Al Kitchen.

Here’s an excerpt from the book. In this scene, Al sits with a bottle of booze in the grandstand of a country fair to watch a truck pull. At this event, drivers try to see how much weight their trucks can pull.

The truck getting ready to roll was called Road Hog, the words stenciled in black on its red paint. The names of the guy’s sponsors were printed all over the vehicle. The face of a monstrous, angry pig was painted on its hood. The announcer, a woman with a smooth, round voice, called the driver’s name over the public address system, and he revved its engine in response, sending a fresh sample of exhaust through the stands. The grandstand’s metal roof above his head amplified the sound, overwhelming every other at the fair and cutting through Al’s ears like a chainsaw. He squeezed the bottle of Jim Beam between his legs as he covered his ears.

Al thought Road Hog looked promising, but it only dragged the sled a couple of yards before it conked out and smoke poured from beneath the hood. Road Hog’s fans gave up a collective moan in the rows below Al, and a sweet, young thing in tight, black jeans stood up while biting her red, painted nails. A couple of guys ran to the truck, but they were helpless to fix the engine’s problem, so they waved for a tow.

The woman’s voice came over the P.A. system. “Sorry, Lou. Looks like that’s all for tonight.”

Al laughed at the man’s failure.

The pull had a delay while Road Hog was towed from the track and another vehicle, a black Chevy named Fast Food, took its place. Two boys raked the track’s surface to rub out the tire tracks from Road Hog. If Al were to get into truck pulling, he’d fix up the Mustang in the junkyard behind Ma’s house. Hell, he could have his pick of the junks back there, but he favored the Mustang, which had been his first car. He’d call it Big Stud or something like that, so people would know right away it was his. He’d paint the Mustang black and purple. He’d put in the most powerful engine and rev it to get everybody’s attention. 

Al surveyed the stands. He saw Frank and his buddies, all regulars at The Dog, below and to his left. One of the men yakked. A bottle was being passed. Al checked his own. It was getting low. He considered joining Frank’s group but thought better of it. Early was the only one worth talking to and that’s because he was nice to his grandmother. Sometimes when he delivered the mail to their house, Early stopped for a couple of minutes to make small talk with Ma. He complimented the new roof on the house and the gladiolas Ma grew this summer in the front yard. Early had good country manners. He was alright.

He checked the crowd, finding enough people in the stand who were on his shitlist at one time or the other. There were a couple of local cops, all part-timers, who went to school with him. He saw one guy he owed money from a bet. He snorted when he spotted a bald man, who used to be on the board of selectman in Holden. The incident happened over fifteen years ago. Pops accumulated so many junk cars in their backyard, the neighbors began complaining, so the board sent a registered letter saying he had to get a junkyard permit. At first, it set Pops off, but then he liked the idea. He could turn his collection of junkers into a legitimate business, stripping them and selling parts. He was slowing down and had only a couple of years left to go, they found out later.

Al drove his grandparents to Town Hall, and Pops made his case to the board of selectmen about why he should get a Class III, which was a fancy name for a junkyard license. Ma didn’t say a word as Pops talked about how he would fix the place up and string lights across the yard like a used car lot. Two selectmen seemed to listen carefully to what Pops had to say, but one of them, the bald man sitting below him in the grandstand, was a total ass about the whole thing. He was a native, but you wouldn’t presume it by the way he acted. He was the kind of guy who liked to drive around town looking for trouble to report, one of those stingy locals who welcomed all the rules the newcomers wanted.

Al recalled how that selectman leaned across the table and shook a finger toward Pops. “Mr. Kitchen, I just don’t believe you’ll keep your word. I’ve known you all my life, and I know the way you live.”

Pops, a man who had legendary drunken bouts that inspired him to outrageous antics in his youth, who could slap a hand against a body faster than the person expected it, who once killed a dog by slamming a shovel against its skull, stood silently. Al thought for the first time his grandfather looked defeated. There were many times he hated the old man for the way he treated him and Ma, but he hated this other man worse for what he did to his grandfather. He made Pops look weak.

Al rose, towering over his grandfather even though he was not fully grown, as the selectman continued to rant about Pops’s habits. Then Ma got up. The three of them stared down at the man until he stopped talking. Afterward, the vote was two-to-one in their favor for the Class III. Of course, Al fixed the man good a couple of months later. One night, Al shot his .22 through his living room window. The bullet ricocheted off the woodstove’s pipe into the wall above the man’s head. Al didn’t wait to see what happened next. He ran into the woods and rode his dirt bike home. He stashed it in the junkyard. 

When the cops came to the house, Ma told them Al was in his room. Al went to the kitchen to meet them. He had made himself yawn. “You think I drove over to that guy’s house and tried to shoot him? I’ve been here all night, watchin’ TV and reading dirty magazines in my room. I was just getting ready to hit the sack,” he told the cops. “Feel the hood of my car, if you don’t believe me.”

It was a minor victory for the Kitchens although Pops never did much with his junkyard, except die there. He had a heart attack while shoveling during a heavy March snow and lay there on the ground until Ma found him, too late to save. Ma renewed the Class III every year out of spite, and the selectmen, a different board now, never contest it.

LINK TO THE SACRED DOG: https://mybook.to/thesacreddog

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Isabel Long Mystery Series, Writing

Story Behind the Story: Isabel Long Mystery Series

One day I got it in my head that I wanted to write a mystery. I had already written books for adult and young readers, literary fiction and magical realism, respectively. One is even bilingual.

But it made sense to try this genre as I love a great mystery, especially one that fools me until the end.

So, I sat down, and the pieces came together fast. Extremely fast. That’s how it works for me. Not to sound like a nut job, but ideas come from somewhere. The same goes for the characters and what they do.

Anyway, it made sense that my protagonist, Isabel Long, would tell the story, so I wrote it in first-person, and because I want my readers to feel they are in the middle of the action, also in present tense.

Isabel’s back story: she has just come off a bad year when this series starts with Chasing the Case. Her husband died and she lost her job as a newspaper’s top editor. She is what the French call une femme d’un certain age. Isabel’s bit of a smart ass but she has a caring heart. Yes, I admit there is quite a lot of me in her.

After a year of proper grieving, Isabel is ready for a new life. And that’s when we first meet her. She decides to solve a 28-year-old mystery of a woman who went missing in her town of a thousand people. It was Isabel’s first big story as a rookie reporter. She plans to use the tools she relied on as a journalist to solve this case. And Isabel has a ‘Watson’ — her 92-year-old mystery-loving mother who’s come to live with her. My own mother, who is 97, inspired this character. Isabel also takes a part-time job at the local watering hole, the Rooster, where not only does she find clues for her cases, but a love interest in its owner, Jack.

Then I found I couldn’t let go of Isabel Long. I gave her more cases to solve in Redneck’s Revenge, Checking the Traps and Killing the Story. On Jan. 27, Working the Beat will be released by my publisher darkstroke books.

I hadn’t expected to write a series, but here I am.

And to get you interested in Working the Beat, here’s an excerpt from an early chapter. Here Isabel and her mother happen to be at the Titus Country Fair when they are approached by Shirley Dawes.

Shirley stays sitting when she sees us approach. I make our introductions, and then we take the seats opposite her at the picnic table. I make sure I’m in Shirley’s direct line of vision in case she reads lips.

“So, what did you want to talk about?” I ask.

Shirley works her mouth a bit.

“It’s about my grandson, Lucas. Lucas Page is his full name. He was killed here four years ago and whoever did it didn’t get caught.”

“Here in Titus?”

She gives her head a shake.

“I mean here at the fair. It was after the demolition derby, the first one they had. They found Lucas’s body the next morning behind where everybody watches, in the woods up there. They said he must’ve been drunk and fell down in the rocks. His head was hit real bad I was told.”

“What was he doing on the hill afterward? Was he alone?”

“That’s what I want you to find out.”

This story’s coming back to me now. I was the editor of the Daily Star then. We reported on an unattended death at the fair in a story that made the front page, and then like Shirley said, it was ruled an accident because of a brain injury, although she protested that in a story we ran, too.

“Now, I remember you, Shirley. You came to see me in the newsroom. You said you were frustrated the police didn’t seem to be looking that hard into your grandson’s case and you wanted us to do that.”

I think back and hope I treated this woman nicely.

“Yeah, I did. You said newspapers don’t do that kind of work.”

“No, not the one I worked for.”

“But I heard about what you’ve been doin’ now as a private investigator. Your last case was a doozy. Read about it in the paper.” She crooks a thumb toward Annette and her son, still talking with his admirers. “Course, there was Chet Waters. Maybe you can do what the cops couldn’t or wouldn’t do.”

“You mean find out what happened that night with your grandson.”

“Yeah. I heard you get paid for doin’ this. I wanna hear how much. I ain’t got a lot. But this is important to me. I loved my grandson. I’m the one who brought him up after his mother gave him to me. He was hangin’ around with a rough crowd in those days. Tryin’ to fit in. Here. Let me show you his picture.”

Shirley reaches for the purse on the seat beside her. The purse is vintage style, off white with a smart clasp on the top, no zippers, something my mother would use. I am guessing Shirley holds onto things. She removes a photo from her wallet and hands it to me.

“I took it at Christmas, the last one we had,” she says.

Lucas Page’s face smiles at me. He’s young, blue-eyed, and with the kind of features that would label him a good-looking guy. His most distinctive is the red hair that’s short on the sides and long enough on the top so it has a bit of curl. But back to that smile. He was happy to pose for his grandmother.

“He was a handsome young man,” I tell Shirley.

She swipes away a tear.

“Yeah, he was.”

I glance at my mother. She’s interested, of course. The questions are forming in my brain, but this isn’t the time to ask them. Already a parade of people I know have passed by with a wave, a hello, and a curious expression on their faces as they wonder why in the heck my mother and I are talking with this woman. They’re just being nosy New Englanders as usual.

“Shirley, we’re interested, but this isn’t the best place to talk. We need some privacy. How about my mother and I come to your home to talk this over?”

“What’d you say? My house?”

“Yes, your house. Well, you could come to ours if you prefer. We live in Conwell. But it would help us if we could see where you and your grandson lived. I should also tell you that if I’m interested in taking your case, I have to clear it with my boss. Do you know Lin Pierce?” I pause as she nods. “He gets a small cut of whatever I make. So, he has a say.” I register the concern in Shirley’s narrowed eyes. “Don’t worry. He hasn’t turned me down yet.”

“I understand,” she says. “Can’t do it tomorrow. I’m helpin’ out in the kitchen here. Monday mornin’ work for you?”

Ma and I exchange glances.

“How about ten?” I say.

Shirley nods.

“Ten, it is. Do you mind if I make a copy of your grandson’s photo with my phone?”

“Go right ahead if it helps.”

I place the photo on the table and remove my cell phone from my bag to take a shot before I hand the photo back to Shirley.

“Here you go.”

Shirley leaves us after she gives me directions to her house in West Titus. She lives on one of those dead-end dirt roads, hers is the last house, that’s also likely one of the last to be plowed in the winter and impassable at times in the spring because of the mud. But she’s probably one of those people who doesn’t mind because she wants to live out of the way of everybody. I don’t have to worry about road conditions this time of year. The road’s been graded recently she told me.

I wait until Shirley is out of earshot as she moves inside the crowd that’s wandering the fairgrounds. She stops first at the pumpkin display, where Annette and Abe are still hanging out.

“What’s your opinion, Ma?”

“I like her. She’s a little rough around the edges like a lot of the people we meet here,” she says. “But it’s about time we found a new case. It was getting a little boring.”

I smile. My 93-year-old mother is game for a new mystery to solve.

“Boring?”

She nods.

ABOUT THE PHOTO ABOVE: Working the Beat has a Jan. 27 release. But if you are a Kindle user, you can download No. 4 Killing the Story for free for two days only.

Here’s the link for Killing the Story: https://mybook.to/killingthestory

Here’s he link for Working the Beat: mybook.to/workingthebeat

 

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Isabel Long Mystery Series, Killing the Story, Mystery, New release

A Healthy Obsession

I’m talking about writing fiction. I just can’t help myself and hopefully, there is no cure for it.

In college and a few years afterward, I was a poet. When I read the poems I’ve kept, I still like what I wrote. But I kicked that habit when I started having kids, lots of kids, six in all, now all adults. By then, I was more interested in prose although I couldn’t manage more than a few paragraphs and letters to friends. I read what other people wrote and thought one day I would do the same.

I honestly believe each kid I had is the equivalent of one or two books each.

Then, I got a job as a correspondent for the hilltown where I lived for a daily newspaper. Over the years, I covered more hilltowns, and then it became a full-time job. It wasn’t fiction, but I was writing and better yet, immersing myself in rural Western Massachusetts, which is the setting for most of my  books. And I was learning how to sustain prose.

It wasn’t until I became an editor for the same newspaper, that I started writing fiction. I didn’t write down the date, too bad, but from that day on, I couldn’t go without writing. Yes, I was hooked and pretty darn fast.

I estimate I overcame a 25-year writer’s block.

My fixation has led to completed books, published and unpublished, for adults and young readers.

Killing the Story is the fourth book in my Isabel Long Mystery Series, which started when I decided to try writing a mystery. All of my other books, save the ones for young readers, are what I would call literary fiction. But after I finished the first, Chasing the Case, I was fixated on the characters, the setting, and coming up with a story that would have twists and turns that would fool readers about who might have dunnit. (I will admit I don’t know either as I solve the cold case along with my protagonist, Isabel Long and her sidekick, her mother.)

In Killing the Story, Isabel is investigating the death of a small town newspaper editor. Was it an accident or murder? She’s determined to find out despite obstacles thrown her way by the local police chief. But then again, he and the victim have a dark history.

The book, which was officially released Aug. 26, just completed a blog tour that garnered some great reviews. Now NewInBooks is giving it a push.

And so, I am onto the next mystery. This one is called Working the Beat. I started this week, getting up at 5 a.m. to write before I head to work. (I am the editor-in-chief of a daily newspaper.) As of this morning, I hit the 3,700-word mark. Isabel is just about to find her next case. Damn, I’m excited.

Interested in reading Killing the Story? Thank you very much. Hopefully, you, too, will get hooked on my series. Here’s the link on Amazon: Killing the Story

ABOUT THE PHOTO ABOVE: Lobsters awaiting their doom in a tank during a recent visit to Cape Cod.

 

 

 

 

 

 

 

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