Character Traits

Character Traits: Meet Adrienne Harris-Morley

In this second week of my Character Traits Series, author Miriam Drori gives us insights into Adrienne Harris-Morley, who she created for her novel Cultivating a Fuji. Miriam, who lives in Israel, has been the editor of my mystery series — a delightful experience. But let me step aside and let her tell you about the character she created.

Adrienne Harris-Morley has a lot going on in her life, despite being only a minor character in my novel, Cultivating a Fuji. She has two young children, and a husband who’s never around to help with childcare. When she has to work on a Saturday, as a clerk at London’s passport office, she farms the kids off at her begrudging sister’s place.

Cultivating a Fuji is the poignant, humorous and uplifting story of Martin, a guy who doesn’t fit into society.

When writing this tale, I made the decision to give backstories to all the characters who come into contact with Martin. If I hadn’t, they would probably have been seen as callous or uncaring. In reality, most people are tied up in their own problems and don’t have the emotional space to better understand someone who strikes them as weird.

Because Adrienne has come up in the world, I decided she needed a double-barrelled name. I tried out a few until I found one that chimed with me.

Martin, who’s a brilliant computer programmer but has no social skills, is sent to represent his company in Japan, meeting Adrienne when he needs an emergency passport. No one in the company expects him to succeed in selling their product, but he does, helped by the strangeness of Japan. What happens when he returns home to England is another matter.

The character of Adrienne is completely made up and not based on any real person. The reviews for the novel don’t include this minor character, but I would imagine readers would sympathise with all her problems, especially if they’ve also had to juggle work and children. They would understand that encountering Martin would add to her heavy load.

Here’s an extract from the only chapter in which Adrienne appears. The year is 1977:

She’d only just sat down at her desk and adjusted her glasses when her first customer approached. A young man, mid-twenties, short brown hair, carrying a royal blue rucksack. He looked quite normal and respectable apart from the fact that he was staring at the floor and his cheeks were rather flushed. Had he been running or drinking, or was he always like that? He sounded a bit out of breath when he finally spoke, but he was the first in a long queue, so he couldn’t have been running.

“Yes?”

“I… Is this the right place?”

“That depends what you’re here for.”

“Oh.”

“What are you here for?”

“I want to get an emergency passport.”

“Yes, this is the place. Sit down, please.”

Adrienne indicated the chair and the young man sat on the edge and glanced behind him, almost as if he were planning a quick getaway if things went wrong. What a shifty character. Just what she didn’t need this morning.

“Why do you need an emergency passport?”

“I… have to go abroad. They said I needed a passport.”

“Yes, of course you do. But why an emergency passport? Why do you need it in a hurry?” Prudence told her that she had to clarify everything carefully for this man. Maybe he didn’t understand the word emergency. Maybe he simply wanted to renew his passport.

“I… I have to go instead of Kevin… instead of someone else because he can’t go.”

“Where do you have to go?”

“Japan.”

Prudence whispered in her ear again and helped her to form her next question. “What do you have to do in Japan?” Clearly, she had to take this slowly and ask simple questions using words of one syllable. Unfortunately, her patience was waning at an alarming rate.

“Give a demonstration.”

“That’s a long word for you,” was on the tip of Adrienne’s tongue. Instead, she said, “What sort of demonstration?”

“A demonstration of our system.”

“What sort of system?”

“A computer system.”

“What does this computer system do?”

“It… well…” 

Adrienne wriggled in her seat. Below the table she tried to get more comfortable by moving her legs apart. But then she felt the crotch of her tights lower than it should have been, and put her legs back together. And this was supposed to be progress. What was wrong with wearing stockings?

She was beginning to wonder whether this shady character was making it all up on the spot. She certainly found it hard to believe he could demonstrate a vacuum cleaner, let alone some computer system. In her mind’s eye, she saw this man on her doorstep with a giant vacuum cleaner beside him and the flex tied all round him. When she opened the door, he’d say, “I’ve come to… come to… I need to go in.” And he’d move forwards, trip over the flex, and fall headlong into her hallway.

She turned to the real version, still struggling to answer her question. “Yes?”

Bio

MIRIAM DRORI

Miriam Drori was born and brought up in London and now lives with her husband and one of three grown up children in Jerusalem.

With a degree in Maths and following careers in computer programming and technical writing, Miriam has been writing creatively since 2004. After some success with short stories, which she continues to write and which have appeared in anthologies, Miriam turned her hand to longer fictional works, publishing a romance and a historical novella, co-written with another author.

Social anxiety features in Miriam’s latest publications. Social Anxiety Revealed is a non-fiction guide that explores this common but little-known disorder from multiple points of view. The book has been highly recommended by ‘sufferers’ as well as professionals in this field. Cultivating a Fuji is the story of a fictional character who battles against social anxiety before learning to make friends with it. Style and the Solitary, a crime novel, asks an important question: what happens when a suspect can’t stick up for himself?

When not writing, Miriam enjoys reading, hiking, dancing and touring.

Links to books and social media

Miriam Drori can be found on FacebookTwitterGoodreadsPinterestInstagramBookbubWattpadYouTube and on her website/blog.

Her books are available at: Social Anxiety RevealedCultivating a Fuji and Style and the Solitary.

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Character Traits

Character Traits: Meet Kayleigh-Amanda Tarr

With this post, I am reviving the weekly Character Traits Series, which gives my fellow authors an opportunity to promote their books. The first is by Morwenna Blackwood, who has chosen Kayleigh-Amanda Tarr, a character in her Glasshouse series. A UK author with darkstroke books, Morwenna writes noir psychological thrillers. Here, I will let her tell you about the character she created.

How can I try explain Kayleigh without trying to explain everyone around her? People are inextricably linked, which is the reason I started the Glasshouse series! Still, I’ll have a go …

Kayleigh-Amanda Tarr first appeared in 2020, in The (D)Evolution of Us. She is twenty-one years old, heavily pregnant, and living alone in a flat in a Victorian terraced house in Eskwich, Devon.  She soon gives birth to a baby son, Liam.

Her best friend, Cath, recently died, and although the coroner declared the cause of death suicide, Kayleigh believes Cath’s boyfriend, Richard, murdered her.

Kayleigh was diagnosed with Bi-polar Disorder as a teenager, and despite the turmoil she is in at this point, she is ‘doing well’, having regular meetings with her psychiatrist, Dr. Whittle. She’s been teased and bullied about it throughout her life, and experiences discrimination; as she does for her religious beliefs: nature religions make more sense to Kayleigh than her Church of England upbringing, and she practices Wicca.

It’s the late 1990s in The (D)Evolution of Us — the era of the ‘ladette’ — and in spite of the hippy-style clothes she wears, Kayleigh certainly fits that nomination. She’s the life and soul of the party, seemingly wild and free, and her friend and landlord, Will, is deeply in love with her. Hating herself for it, but unable to stop, Kayleigh flirts with him, and occasionally they hook up. And that’s not the only complication in her love life. Richard, Cath’s boyfriend, insinuates himself into Kayleigh’s life after Cath’s death, helping her when she goes into labour and supporting her with Liam, while systematically abusing her. And all the time, Kayleigh is pining for Adam. Adam used to go out with Cath, but he and Kayleigh secretly fell in love — and then he disappeared. Kayleigh hates herself for that, too.

She tells everyone that Liam is the result of a one-night-stand, and no one is surprised.

Kayleigh’s choices have far-reaching effects that impact on everyone in The (D)Evolution of Us, Glasshouse, Underrated, and Skin and Bone, and with Liam in his twenties in the last book I wrote, her story never really ends …

The inspiration for Kayleigh, and other matters.

Kayleigh’s name came from the Marillion song! I loved the idea of having a character who said they were named after a song, even though their age belies it. Music is central to the Glasshouse series — evoking atmosphere and placing a story in time. The fact that Kayleigh lies about where her name came from speaks volumes about her character. She likes to stand out from the crowd, but it comes from a place of deep insecurity.

Kayleigh isn’t based on a real person, rather she is a blend several events I’ve experienced and born witness to. Her physical appearance and self-expression reflect her psychology.

Regarding the books she appears in, I’ll concentrate on The (D)Evolution of Us as it’s the first time I wrote about Kayleigh, and May is the novel’s birthday month. (TDofU was three on Star Wars Day!)

As I’ve said, Kayleigh and Cath are best friends. A cruel twist of Fate exacerbates their mental ill-health, and they both seek escape, solace and oblivion in alcohol. It’s the late 1990s, and given that they find themselves in a culture of indie music, rebellion and binge-drinking, the fact that they’re essentially self-medicating goes unnoticed; however, Cath’s death is — to everyone but Kayleigh — clearly suicide brought on by her depression.

Cath’s death hits Kayleigh hard, and she finds it unbearable that she gives birth around the time her best friend dies. With her parents having split up years ago — her mother back ‘Up North’ and her father remarried and living in France — Kayleigh relies heavily on her friends. The trouble is, being friends with someone doesn’t mean you know them inside-out …

All the Glasshouse novels are told in the present tense from a first-person narrative, so readers experience Kayleigh’s thought processes directly. As to the question of whether Kayleigh is likable or not, well, that’s entirely subjective!

It could be argued that she uses Will to keep a roof over her and Liam’s heads; as a sounding board; as a back-up. However, she really does like him, and feels terrible that she has a tendency to lead him on. And it’s the only way she can see of protecting her son, and surviving herself.

It could be argued that Kayleigh is despicable for betraying her best friend, continuing a clandestine relationship with the lad Cath loves. But again, Kayleigh hates herself for it, simultaneously believing that love is pure and holy, and that if Cath knew what she feels for Adam, she would understand.

It could be argued that if Kayleigh just stopped drinking, and took responsibility for herself, she’d have fewer problems. But Kayleigh is lost. She uses drugs and alcohol as an escape from everything she’s dealing with; also, it’s imbedded in the culture she’s part of. 

It could be argued that Kayleigh is weak and brings everything on herself. But she’s been abandoned by all the people you’d expect to be the ‘rocks’ of your life — parents, family, lover, best friend – and she suffers heinous discrimination and prejudice because of her illness and her spirituality.

Personally, my heart goes out to Kayleigh. She seeks justice for her friend, while raising a child, and being psychologically and physically abused. She’s trying to do her best, and I empathise. However, she’s not infallible. But then, who is …?  

Bio

When she was six years old, Morwenna wrote an endless story about a frog, and hasn’t stopped writing since. She’s the author of bestselling noir psychological thrillers, The (D)Evolution of Us, Glasshouse, Underrated and Skin and Bone; has an MA in Creative Writing, and can usually be found down by the sea. Morwenna has several works in progress, and she often thinks about that frog.

Links

www.morwennablackwoodauthor.com

https://www.instagram.com/morwennablackwood_

https://www.twitter.com/morwennablackw1

mybook.to/devolution

mybook.to/glasshousenovel

mybook.to/underrated

mybook.to/skinandbone

 Find Section 17, Morwenna’s newly released collection of poetry at bit.ly/42oC6CT

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The Sacred Dog

Don’t Mess with Jenny Kitchen

It’s time to give a little love to The Sacred Dog and to Jenny Kitchen, one of my favorite characters in this novel. She is the feisty grandmother of one the main characters.

To backtrack a little, this novel centers on a feud between two men in a small town. Frank Hooker owns The Sacred Dog, a bar where the locals gather to drink and gab. The only one not welcome is Al Kitchen because Frank unfairly blames him for the death of his brother. Throw in a dark secret involving Frank’s wife. You know nothing good is going to come from this situation.

Al didn’t have it easy as a kid. His parents died when he was young, so he came to live with his grandparents. His grandfather was an abusive drunk. The only good thing he did for Al was to teach him to hit a baseball.

But Al has a strong ally in his grandmother, who had to put up with her own share of abuse. Probably the best thing that happened to Jenny is when her husband died of a heart attack in the junkyard behind their house. “Kitchen men are the meanest men. Don’t you ever be that way. Treat the people you love better,” she told Al after one such experience.

Jenny is tough. She has to be, living on social security and what Al, who continues to live with her as an adult, contributes to their household expenses.

She keeps to herself although she does have a few women friends in town. Al is the main person in her life although she can be tough on him. She wants him to do better.

She’s also Al’s biggest defender. His grandmother might not always have protected Al from Pops, but she stuck up for him when his teachers or the principal said he misbehaved in school. “Not my boy. You must be mistaken.” 

Jenny is the one who got Frank Hooker to let her grandson back inside his bar. She may be short, but she looked up at Frank with defiant eyes while she negotiated a two drink maximum. 

Then there are her cats, lots and lots of them, although like Al, she always has a favorite tom she lets inside the house.

Here’s scene from The Sacred Dog. Al is sitting in his first car in the junkyard behind the house he shares with his grandmother.

Al finished the joint when he heard the brakes on his grandmother’s car squeal as she backed it to the barn. He felt good and rubbery as he watched Ma open the trunk of her car. She bought it new after Pops died with his life insurance money. Now the car’s paint wouldn’t even hold onto a shine. Cats circled Ma’s ankles as she shuffled through the tall grass toward the barn. He laughed when she accidentally stepped on one of the cats and the thing squawked in pain. After a while, Ma walked into the barn and back outside, carrying a pail in little jerking motions toward the woods, shooing the cats away.

He lifted the bottle for another swig.

Al swore his grandmother must be made of cast iron, the way she was able to outlive that son of a bitch husband of hers. He saw photos of her when she was young, not a wrinkle on her almost pretty face. Her large, crooked mouth marred it. She used to have hair the same color as Al, a red that looked as if the strands had rusted in the rain. His eyes traced her wander into the woods. He spotted her flowered housedress between the trees, and then she returned to the barn. She was hollering for him, and Al started to laugh when he saw her try to lift the bags of cat food from the trunk of the car. He never saw Ma wear anything new, but she spent a fortune feeding her cats.

He slipped from the Mustang.

“Need somethin’, Ma?” Al said as he approached his grandmother.

“Where you’ve been, Al? I’ve been callin’ and callin’ you.”

“Just out back.”

She gave him a sniff and frowned.

“Out back where? A barroom?” She pointed to the bags. “Pour those bags into the metal barrel in the barn.”

Al hoisted a bag over each shoulder and followed his grandmother to the barn. He began teasing her about her cats, which were now in hiding. They all hated him. He didn’t blame them. They knew what would happen if he caught up with any of them. Ma lifted the top of the trashcan for him. He breathed through his mouth as he poured the contents of the bag into the barrel because the barn stunk of cat spray.

“Hey, Ma, tell me. What were you doin’ in the woods with the pail?”

His grandmother worked her mouth.

“One of my cats lost her litter, Queenie, the calico. She rolled on the three kittens and smothered them. So, I took their bodies in the pail to dump them in the woods.” Her eyes closed in a catlike squint. She scratched the back of her head. “When I looked them over, they seemed okay. But I guess cat mothers know when there’s somethin’ wrong with their young.”

LINKS:

You can find The Sacred Dog, in Kindle and paperback, on Amazon: https://mybook.to/thesacreddog

It is available in paperback at Barnes and Noble: https://bit.ly/40T2aou

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The Sacred Dog

My Next Bad Guy: Al Kitchen

I will admit that I am fond of the bad characters I create. Actually, I see them as flawed people who do reckless and sometimes hurtful things, and because of that they become major players in my books. That’s the case for Al Kitchen, one of the protagonists in my next book, The Sacred Dog, which is out Dec. 27.

The Sacred Dog takes place in my favorite go-to setting, that is, the hill towns of Western Massachusetts, where I’ve lived a good portion of my life, twice. It’s a thriller centered on bad blood between two men, Al Kitchen and Frank Hooker. Frank owns The Sacred Dog, the only bar in this dinky town that caters to the locals. Frank blames Al for the death of his brother, Wes. Al was in the crash that killed his best buddy, but not at the wheel — a fact Frank won’t accept. Let me say nothing good is going to come from this feud.

Al didn’t have it easy growing up. He lost both parents when he was young and was brought up by his grandparents. Pops was a drunk and an abuser. The one good thing he did for Al was to teach him how to hit a baseball, but even that didn’t work out for him. His grandmother, who he calls Ma, is Al’s ally. When Pops got violent, she would give Al a look that would send him hiding in one of the junked cars his grandfather had stashed in their backyard. 

Other than his grandmother, the only person who meant anything to Al was Wes. If there was trouble in town, the two of them were in it together. Now Al goes it alone.

Al’s not welcome at The Dog, as the locals call it, but after his grandmother interceded, he gets to have two beers. Frank figures it’s better to keep his eye on somebody he doesn’t trust or like. Al, of course, resents it. 

The resentment builds, especially after the arrival of Frank’s ex-wife. There’s a dark secret between Al and Verona that has the potential to create a larger and perhaps a violent rift between the two men.

Is the character of Al Kitchen based on anyone real? No. Like all of the others, he came from somewhere in my brain. That’s true of the other so-called bad guys. Sometimes I let them redeem themselves like the Beaumont brothers in my Isabel Long Mystery Series. Other times I let them just go to hell. I’ll let you decide about Al Kitchen.

Here’s an excerpt from the book. In this scene, Al sits with a bottle of booze in the grandstand of a country fair to watch a truck pull. At this event, drivers try to see how much weight their trucks can pull.

The truck getting ready to roll was called Road Hog, the words stenciled in black on its red paint. The names of the guy’s sponsors were printed all over the vehicle. The face of a monstrous, angry pig was painted on its hood. The announcer, a woman with a smooth, round voice, called the driver’s name over the public address system, and he revved its engine in response, sending a fresh sample of exhaust through the stands. The grandstand’s metal roof above his head amplified the sound, overwhelming every other at the fair and cutting through Al’s ears like a chainsaw. He squeezed the bottle of Jim Beam between his legs as he covered his ears.

Al thought Road Hog looked promising, but it only dragged the sled a couple of yards before it conked out and smoke poured from beneath the hood. Road Hog’s fans gave up a collective moan in the rows below Al, and a sweet, young thing in tight, black jeans stood up while biting her red, painted nails. A couple of guys ran to the truck, but they were helpless to fix the engine’s problem, so they waved for a tow.

The woman’s voice came over the P.A. system. “Sorry, Lou. Looks like that’s all for tonight.”

Al laughed at the man’s failure.

The pull had a delay while Road Hog was towed from the track and another vehicle, a black Chevy named Fast Food, took its place. Two boys raked the track’s surface to rub out the tire tracks from Road Hog. If Al were to get into truck pulling, he’d fix up the Mustang in the junkyard behind Ma’s house. Hell, he could have his pick of the junks back there, but he favored the Mustang, which had been his first car. He’d call it Big Stud or something like that, so people would know right away it was his. He’d paint the Mustang black and purple. He’d put in the most powerful engine and rev it to get everybody’s attention. 

Al surveyed the stands. He saw Frank and his buddies, all regulars at The Dog, below and to his left. One of the men yakked. A bottle was being passed. Al checked his own. It was getting low. He considered joining Frank’s group but thought better of it. Early was the only one worth talking to and that’s because he was nice to his grandmother. Sometimes when he delivered the mail to their house, Early stopped for a couple of minutes to make small talk with Ma. He complimented the new roof on the house and the gladiolas Ma grew this summer in the front yard. Early had good country manners. He was alright.

He checked the crowd, finding enough people in the stand who were on his shitlist at one time or the other. There were a couple of local cops, all part-timers, who went to school with him. He saw one guy he owed money from a bet. He snorted when he spotted a bald man, who used to be on the board of selectman in Holden. The incident happened over fifteen years ago. Pops accumulated so many junk cars in their backyard, the neighbors began complaining, so the board sent a registered letter saying he had to get a junkyard permit. At first, it set Pops off, but then he liked the idea. He could turn his collection of junkers into a legitimate business, stripping them and selling parts. He was slowing down and had only a couple of years left to go, they found out later.

Al drove his grandparents to Town Hall, and Pops made his case to the board of selectmen about why he should get a Class III, which was a fancy name for a junkyard license. Ma didn’t say a word as Pops talked about how he would fix the place up and string lights across the yard like a used car lot. Two selectmen seemed to listen carefully to what Pops had to say, but one of them, the bald man sitting below him in the grandstand, was a total ass about the whole thing. He was a native, but you wouldn’t presume it by the way he acted. He was the kind of guy who liked to drive around town looking for trouble to report, one of those stingy locals who welcomed all the rules the newcomers wanted.

Al recalled how that selectman leaned across the table and shook a finger toward Pops. “Mr. Kitchen, I just don’t believe you’ll keep your word. I’ve known you all my life, and I know the way you live.”

Pops, a man who had legendary drunken bouts that inspired him to outrageous antics in his youth, who could slap a hand against a body faster than the person expected it, who once killed a dog by slamming a shovel against its skull, stood silently. Al thought for the first time his grandfather looked defeated. There were many times he hated the old man for the way he treated him and Ma, but he hated this other man worse for what he did to his grandfather. He made Pops look weak.

Al rose, towering over his grandfather even though he was not fully grown, as the selectman continued to rant about Pops’s habits. Then Ma got up. The three of them stared down at the man until he stopped talking. Afterward, the vote was two-to-one in their favor for the Class III. Of course, Al fixed the man good a couple of months later. One night, Al shot his .22 through his living room window. The bullet ricocheted off the woodstove’s pipe into the wall above the man’s head. Al didn’t wait to see what happened next. He ran into the woods and rode his dirt bike home. He stashed it in the junkyard. 

When the cops came to the house, Ma told them Al was in his room. Al went to the kitchen to meet them. He had made himself yawn. “You think I drove over to that guy’s house and tried to shoot him? I’ve been here all night, watchin’ TV and reading dirty magazines in my room. I was just getting ready to hit the sack,” he told the cops. “Feel the hood of my car, if you don’t believe me.”

It was a minor victory for the Kitchens although Pops never did much with his junkyard, except die there. He had a heart attack while shoveling during a heavy March snow and lay there on the ground until Ma found him, too late to save. Ma renewed the Class III every year out of spite, and the selectmen, a different board now, never contest it.

LINK TO THE SACRED DOG: https://mybook.to/thesacreddog

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The Sacred Dog

The Bar in My Book

As readers of my Isabel Long Mystery Series will note, country bars are an important part of each book’s setting. After all, they are among the few public gathering places for people who live in the rural hilltowns. That’s true for The Sacred Dog, the name of the bar and the title of my book that will be released Dec. 27.

Frank Hooker is the owner of The Sacred Dog. In my last post, I revealed why his bar got that name. Originally, he named it for his wife, Ronnie, but after that ended in a d-i-v-o-r-c-e, it didn’t make sense to keep it. So, instead he renamed it after the dog he adopted, a patient stray who hangs out behind the counter and puts up with the bar’s noise. 

The Sacred Dog is the kind of place where people drink, joke, and get away from their families. Occasionally, newcomers and tourists will stop by, but this is typically a watering hole for locals.

Certainly, I have spent many a Friday or Saturday night at a country bar, drinking, talking, and even dancing when there was a band. I even tended bar once. It’s a great place to people watch, a definite hobby of one. (Working the Beat, no. 5 in my mystery series, is dedicated to Steve and Diane Magargal, the former owners of Liston’s in Worthington, which Hank and I frequented when we lived in that town. No, the bars in my books are not Liston’s, but it certainly has been an inspirational place.)

Frank’s bar has its regulars. Early Stevens, a lifelong friend and most loyal customer, began delivering mail after he gave up his farm. Monk Stevens, his nephew, supports his family with an assortment of jobs, including as the town’s dump attendant. The Dixon brothers, Lloyd and Royal work the town’s only dairy farm and often smell of fresh manure no matter how clean they are. Then there is Jerry Smith who is always hiding out from his wife. Big Mary is the only woman in the group but she knows how to dish it back to the guys.

The regulars typically engage in town gossip and playful banter. I use their conversations to create a bit of levity, which I believe helps heighten the book’s dark story, which centers on a nasty feud between Frank and the one person not welcome at his bar — Al Kitchen. That’s because Frank blames him for his brother’s death in a car crash. Al wasn’t at the wheel but Frank won’t believe it. Naturally, this doesn’t sit well with Al, who grew up in a tough household. Actually, his grandmother is the only reason Al is allowed at The Sacred Dog. She begged Frank to allow him two beers.

There’s a lot more to this feud. And I will admit nothing good is gonna come from it.

Here’s an excerpt. Frank’s interest perks up when he hears the regulars talk about Al Kitchen.

“Nah. What’d he do now?” Early asked.

“Al’s truck struck the end of the garage after he dropped a load of gravel for a new septic going in at a house in West Holden,” Monk said. “What I heard is Al took the corner too fast as he was leavin’. He just kept on goin’.”

Jerry let out a long whistle. “I mean you don’t hit the side of a garage without knowin’ it,” he said. “I’d like to hear him explain that one away to his boss. You all know what a bastard he is.”

“Guess his granny will have to pay his boss a little visit.” Monk’s head reared back, proud of his joke.

Frank glanced at Early, who tipped his head. So, it was true, he thought. Al screwed up again. What else was new? Early shook his bottle. He was down to his last sip of beer.

Early gave him a wink. “Looks like this bottle’s got a hole in it, Frankie boy. See if you can get me a real cold one this time.”

Frank laughed. “You old son of a bitch,” he said, as he reached into the cooler. “Hey, where’s Mary tonight?”

The row of men in front of him shrugged or shook their heads, except for Jerry, who wore a sly smile. The others turned toward him.

“Oh, a little bird told me Mary has a date,” Jerry said. “I’m not gonna tell you with who, ’cept he lives at Wrinkle City and his wife died a few years ago.”

“Vincent Snow? Him? He must be about twenty years older than Big Mary. Only real old folks can lived in those houses.” Monk sniggered. “Guess Mary’s been doin’ more up there than takin’ out the trash.”

Frank mopped the counter top. The men sitting in front of him, his best customers and best friends, had a good beer buzz working. When he looked at Monk and his Uncle Early, they seemed like young and old versions of the same man. Jerry leaned forward.

“Well, I’ll be. Mary and that guy, Vincent Snow. But, hey, we all get lonely sometimes,” Jerry said.

Monk slid off his stool and headed toward the jukebox. Frank knew what was next. Sure enough, Monk dropped coins inside the slot and moments later King of the Road began a-twanging on the jukebox. Monk, who returned to his seat, slapped in time along the edge of the bar. Beside him, Jerry joined in. Their heads were back, and their voices squeezed high.

Someone at the tables yelled at them to shut up, but it was only in jest, and then the phone began ringing. Jerry began waving his hand when Frank picked up the receiver. Of course, it was Cindy Smith on the other end. Her voice was so shrill Frank couldn’t bear hearing it a moment longer. “Sorry, Cindy, I haven’t seen Jerry tonight. I’ll be sure to tell him you called if he stops by. Night now, darlin’.”

Jerry gave Frank a thumbs-up, and Frank responded in kind as he hung up the phone because tonight he felt all was well in the world.

LINK: The Kindle version of The Sacred Dog is available for pre-order. Dec. 27 it will magically appear in your device. Paperbacks will follow at some point. Pre-ordering helps with ratings and I am grateful if you do. Here’s the link: https://mybook.to/thesacreddog

ABOUT THE PHOTO ABOVE: I saw this amusing sign a few years back in front of a bar.

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