Writing

Writing Two Books at the Same Time

Strange but true that I am writing two books at the same time. Let me explain how this makes perfect sense.

I began Finding the Source, next in my Isabel Long Mystery Series, on Dec. 3. I was inspired while making the final edits for no. 7, Missing the Deadline, which had a release three weeks later. Being in the thick of this story and its characters made me want to start another right away.

When writing novels, I aim for 500 words each day of the week, well, except for holidays and family visits. I started that practice when I worked as editor-in-chief, first for two daily newspapers, and then three at the same time. I got up at 5 a.m. (before the heat came on in the winter) and that was the amount of words I wrote before I left for the newsroom.

Actually, 500 is a satisfying amount of words that helps me maintain the quality of the book I’m writing while making progress. Sometimes I do go over, not realizing it until I look at the bottom of my novel’s document. But I found purposely trying to write longer took the fun out of it. That’s my experience anyway.

But now that I no longer have that job, I wanted to write more. Certainly writing for Substack and my website helped fulfill that desire. But recently I felt it wasn’t enough.

That’s when I found The Talking Table, a YA book I began the day after Christmas in 2022, according to the file’s info. Thinking about that time, I recalled certain family members got Covid, so our holiday gathering that year was postponed. Instead we had a quiet celebration with meals for those who were well and lived nearby.

I was a couple of thousand into The Talking Table when I dropped it. Frankly, I forgot about the book, but there was also a lot of personal stuff going on at that time. I discovered it last month in my computer’s files and was inspired to continue.

The Talking Table is a story told by 16-year-old Vivien Winslow, who recently moved to a trailer park with her mother and brother when they could no longer afford the apartment they had. Their father, who wrote one great book that brought him acclaim, is out of the picture. Why that title? It’s my secret for now.

Here’s how the book starts: We lived in an crappy place, my mother, brother, and me. It wasn’t really a house, but something that came on wheels just like the others in Murphy’s Trailer Park and only a single-wide with white aluminum siding. It was like living in a tin can.

Sure, I told myself, I could write 500 words a day for that book, too. And so I have.

I believe that’s possible because they are two very different books and the readership I am trying to reach is likewise different.

Both are first-person. But in the mystery series, I use present tense to get readers engaged in the cold cases solved by Isabel Long, a smart and savvy older woman. In The Talking Table, I chose past tense as Vivien Winslow reflects on her life as a teenager and what turned out to be a critical experience.

One book is present day. The other takes place in 1967.

The settings are not the same. Finding the Source along with the rest of the series is set in the fictional hilltowns of Western Massachusetts. The location for The Talking Table is a seacoast town inspired by the one where I grew up in the eastern part of the state.

I work on Finding the Source right after I get up and while having my first cup of coffee.

Typically, I save The Talking Table until after I have taken a break doing household chores, errands, shoveling snow, and social media promotion. Sometimes it happens in the late afternoon. But there are times, like yesterday, when I’ve gone from one book to the other. To heck with the other things I had to do.

By my calculations I should finish both by mid-spring. After all, the YA book is significantly shorter than the adult mystery. When that happens, I will get into editing mode and give my books the attention they deserve.

What’s with the sign above? That and another are posted in the Trolley Museum yard in Shelburne Falls Village. 

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Sherman Alexie

Sherman Alexie’s Story Broke My Heart

Facebook reminded me that I wrote this post on my then-blog eleven years ago when I lived in Taos, NM. The notification inspired me to reread Sherman Alexie’s short story, ‘Basic Training’ that appeared in Blasphemy. Ah, my reaction to his story was the same as it was in 2013. 

I don’t know author Sherman Alexie, but I do his writing. I have all his novels and have read them all, a few more than once. He deservedly won the National Book Award for his YA novel, The Absolutely True Diary of a Part-Time Indian. Yes, I am a fan.

His collection, Blasphemy, contains a few stories selected from other books like ‘The Toughest Indian in the World’ and ‘The Lone Ranger and Tonto Fistfight in Heaven’. Most are new.

I enjoyed reading the stories in Blasphemy. They are solid Alexie.

And then, I got to the second-to-the-last story, ‘Basic Training’, about a Donkey Basketball outfit. For those unfamiliar with Donkey Basketball, it’s like the regular game but the players do it while riding donkeys. Donkey Basketball teams travel from town to town, raising money for schools and good causes. They are a throwback to another era. Not many of them are left.

In ‘Basic Training’, Carter & Sons is one of the last Donkey Basketball teams. Business is bad and Emery Carter is unlikely going to pass the business onto his son, who has other plans. Emery Carter brings the donkeys to a game at the Blackfeet Indian Reservation in Montana. Then, they are on their way to another.

I’m not going to spoil what happens next in ‘Basic Training’ but it has the kind of power that makes the reader feel incredible pain. At least it did me.

I don’t write authors, but I did Alexie. I told him “you broke my heart” and not much more than that.

No, I didn’t hear back from him. I didn’t expect it. But if I ever write something that moved someone as much as this story did me, I would want to know.

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Uncategorized

Worst of Winter

There always seems to be one week in winter when it feels the grayest, coldest, and maybe the snowiest. And where I live that typically happens in mid-January. Certainly, for the past several days, we have been experiencing a brutal cold — although it appears the same is true for much of the country. (My daughter who lives in Florida says it was in the nippy 30s there.)

This past weekend, it was 8 degrees when I got up and the temps didn’t rise that much during the day. Sunlight streamed in from the east side of the house, but I wasn’t fooled into thinking it could be warm outside. I had to force myself to take my daily walk and carry in armfuls of firewood for the workshop’s stove. I thought “ka-ching” every time I heard the furnace begin to crank. Luckily, any snow we got was powder thanks to the cold, so shoveling was easy or the flakes just blew away.

I dreaded this week when I worked outside the home, specifically as a newspaper editor. In those days, I drove a good country road, Route 143, from Worthington, the small hill town in Western Mass. where we lived, through two others to a valley city. I began my commute at 6:10 a.m. and left work at 3 p.m. Most of the year, it was a pleasant 45-minute drive with long views, deep forests, occasional wildlife, and very few vehicles. A traffic jam typically involved three cars stuck behind a logging truck on one of the route’s steep hills.

But winter was a different experience altogether. I was obsessed with following the weather and planned accordingly. But more often than not, the worst stretch was the aforementioned mid-week in January.

That week started with the day we celebrate Martin Luther King Jr. Day — a day off for the highway crews. Every year it seemed, we got hit with a storm and the crews would have to be called in to take care of the roads. As I drove home, I hoped my timing was good.

And, of course, the light deprivation and isolation can be really hard on some people.

When I wrote Northern Comfort, one of my three Hilltown Books, I wanted to capture this bleak time of year. This is a book about haves and have nots. One of the main characters is Willi Miller who lives in poverty while raising her disabled son alone. The book begins with a tragic accident, but it evolves into a story about hope and perseverance, much like what spring can do for us.

Here is a passage from the first chapter, appropriately called Worst of Winter, that I feel describes this time of year. Willi Miller is hanging laundry after coming home from work.

She picked her hat from the snow. The sun was low in the sky, and the dark smudge spreading from the west likely carried more snow. Willi frowned. It’d be too much trouble to take the clothes down again. She hated this part of winter, mid-January. It snowed every day, not much, but enough to keep the road crews going with their plows and sanders. Winter always has a week like this, unsettled weather, the worst of the season, of the year, as far as she was concerned. Often, it happened after the thaw, so that brief warm spell seemed like one cruel joke.

I believe the temperatures are supposed to rise this coming week. Well, it was 16 degrees when I woke up this morning. That’s a start. But being a skeptical New Englander, I’ll say seeing — and in this case, feeling — is believing.

ABOUT THE PHOTO ABOVE: Something amusing I saw outside a bakery in the Berkshires.

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Isabel Long Mystery Series, Uncategorized

Writing about Strong Women

When I began writing my mystery series, I aimed to create strong women characters who know what they want and go after it. Topping the list, of course, is Isabel Long, the protagonist of the series, including the latest, Missing the Deadline.

From the start, Isabel was going to be a woman with some good miles on her. A recent widow, she has grown kids and a granddaughter. As for looks, she’s attractive enough to gain the attention of older men, like Jack, the owner of the Rooster Bar where she works part-time.

Isabel had a long career as a journalist — starting as a reporter covering the dinky hilltown of Conwell where she lives to being the top editor of the newspaper until that ended after it went corporate. When the new owner told everybody they had to reapply for their job, Isabel said, “To hell with that.”

Yeah, Isabel is a bit on the sassy side. She’s also savvy, which made her a great journalist. Now, those qualities and other transferable skills come in handy as a private investigator.

For her ‘Watson,’ I chose a 93-year-old mother, who lives with her. Maria Ferreira, a big reader of mysteries and smutty romances, gives her daughter ideas to ponder and even goes on interviews with persons of interest when there isn’t danger. Ma, as Isabel calls her, says she’s bored when they don’t have a case.

I will admit there is a lot of me in Isabel, which makes sense since I write the series in first person. I was also a longtime journalist. Maria was inspired by my late mother. The rest of the characters are fabricated.

I carry many of my characters throughout the seven book, thus far, including a favorite, Annette Waters. Annette — aka the Tough Cookie, Isabel’s secret nickname for her —  runs a garage and junkyard that used to belong to her SOB of a father. In the second book, Redneck’s Revenge, she hires Isabel to investigate her father’s death.

I so enjoy Annette’s no-holds-barred personality the men in her life enjoy. Her latest venture is singing lead in a band, fittingly called The Junkyard Dogs. In Missing the Deadline, she develops an interesting and unexpected romance , but no spoilers here.

Also in Missing the Deadline, we encounter new female characters. Wendy Danielson is the devoted sister to Gerald Danielson, a literary agent who was shot and left to die. He survived but isn’t able to run the agency, so she does. There’s also a vindictive ex-wife and a jilted local writer. One of my favorites is Tammy, a tough local gal who cleans for the Danielsons. She happens to be the sister of Lisa, Jack’s pain-in-the-ass ex, who unfortunately for Isabel keeps appearing in these books.

Other interesting women in the series have included Jack’s sister, Annette’s cousin Marsha, Isabel’s daughter Ruth, a woman police chief, a hoarding grandmother, plus the fearless editor of a small town newspaper. So far, only two women have turned out to be criminals. My lips are sealed about that.

But back to Annette. Here’s a scene from Missing the Deadline. In this case Isabel is investigating the shooting of Gerald Danielson outside his home. Isabel and her mother have stopped at a country store after meeting with the man’s sister.

Annette shakes her head.

“You two crack me up. So, what is it? Murder or missing person? Those appear to be your specialties.”

“So far. This one may be an attempted murder, but we don’t know for sure. Right now, people think it was a failed attempted suicide. Poor guy’s a New Yorker who moved to Meadows Falls. Maybe you’ve heard of him. Does the name Gerald Danielson mean anything to you?”

“Ol’ Gerry?” She laughs. “Yeah, I remember him. He used to have my Pop work on his car since we were a lot cheaper than the garages in New York. I believe Pop met his match. A real piece of work that guy. Kind of an asshole. Sorry, Maria,” she says. “I heard he tried to off himself. Didn’t it happen at his home in Meadows Falls? Too bad. Pop got killed in that fire earlier that year. Gerry came to his funeral. He asked if I needed anythin’. I told him to just keep bringin’ his car for me to fix. Course, that changed in the fall.”

I smile while Annette takes a bite of her muffin.

“You have a good memory,” I say. “You said he was a piece of work. Tell me more.”

“Typical New Yorker. He came here with heavy pockets and let us know all about it. Lives on Gorman Road in Meadows Falls. Bought himself a big ol’ house and had it fixed up. Lots of land came with it. But he and Pop got along okay. I’d be workin’ on a car in the garage and hear them go back and forth like two barkin’ dogs. Pop called him Gerry just to get his goat. Gerry called him Waters. He was kind of a dirty old man. The things he’s say to me when Pop wasn’t around. One day I picked up a wrench and said if his dick needed an adjustment, I’d be glad to do it for free. He got the message.”

“I bet he did.”

“We actually got along just fine after that,” Annette says.

As Isabel would say, you don’t mess with the Tough Cookie.

Missing the Deadline, which was released Dec. 21, is available in Kindle. Paperback readers will have to be a little patient.

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Isabel Long Mystery Series

Staying in Character: Channeling the People in My Books

Great actors are famous for it. When they do, the viewers forget the actor and only see the person they are playing on stage or screen. Some even take it a step further and stay in that role off camera.

But writers like myself have more than one character to consider. We get into their skin, so what they say and do are authentic to the stories we write.

My Isabel Long Mystery Series is written as a first-person present-tense narrative. Isabel is a smart, mature woman who is a bit of a wiseass. As a former journalist, she developed the ability to see through people and any bull they try to dish her. Just like reporting a new story, she’s methodical about her cases. I will admit there is a lot of me in Isabel — I was a journalist for over 30 years although not a widow nor a private investigator. I don’t like that much danger to be a P.I.

Isabel Long is so imbedded inside of me it’s rather easy for me to figure out what she will do in any given scene or situation whether it’s solving a mystery, pouring beer at the Rooster, being with its owner Jack or dealing with her family, including her mother, Maria, her partner in solving crime. 

In Missing the Deadline, no. 7, she’s given a tough case. Gerald Danielson was found shot in the head at his home in Meadows Falls. He survived but isn’t the same successful agent who moved there from New York City. The police ruled it an attempted suicide, but the person hiring Isabel has his doubts. Certainly there are people, including a vindictive ex-wife, a jilted local writer, and even an apparently devoted sister, who might have motive.

So how should Isabel approach such a case? I channel Isabel and we figure it out together.

But, of course, Isabel isn’t the only character in this series. Some are one and done in a book. Many others have stuck around. As each one appears on a page, I channel that character so I know how they should react to any situation I throw at them. 

Take Annette Waters aka the Tough Cookie. She wouldn’t be shy about anything. If someone dared to give her a hard time, she’d dish it back and twice as hard. But then again she runs a garage and junkyard. There’s her cousin, Marsha aka the Floozie who co-owns the Pit Stop convenience store. She’s another one who doesn’t take crap from anyone. Both are locals but they’ve grown fond of Isabel and her mother even though they are newcomers. 

It doesn’t matter the character’s gender. I know what will come out of Jack Smith’s mouth before he says it. Jack’s cousin Fred Lewis aka el Creepo typically says the wrong thing, and Isabel isn’t shy about telling him off.

I believe the best training I received was first as a daydreamer. As a kid, I created fabulous stories inside my head, perfecting them. The second was when I became a journalist. As a reporter, I had to listen carefully to what people said and observe how they behaved. It was a great experience I believe has paid off with authentic characters. I hope my readers feel the same way.

PITCH FOR MY NEXT BOOK: Missing the Deadline, no. 7 in my Isabel Long Mystery Series, has a Dec. 21 release on Kindle. (Paperback readers will have to wait a couple of months.) 

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